Сultural Operating System

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    It is a new model of cultural infrastructure

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    The Ukraine in Color platform, together with partners, is creating a new model of cultural infrastructure that unites audio-visual, tangible and intangible cultural heritage, artificial intelligence, and carefully selected communities— archives, museums, collectors, IT specialists, historians, calligraphers, artists, cultural experts, researchers, media, and all other individuals, communities, and initiatives, regardless of influence or size, who are involved in the preservation, digitization, study, dissemination, creation, and international advocacy of cultural heritage into a living and rapidly evolving system for quick and easy connection and collective heritage management for all stakeholders.We call this the "Cultural Operating System", which provides everybody with the opportunity to activate cultural heritage from around the world through shared databases, modern interfaces, joint projects, essays, and much more...The platform serves as a tool to solve the problem of fragmentation and exclusivity of Ukrainian culture, simplifies the management of collections in digital format, and also becomes a hub for highlighting urgent problems and requests for their solutions, which are impossible or difficult to implement due to excessive bureaucracy, to cooperate without borders according to a clear protocol with Ukrainian heritage funds from around the world, in order to jointly counteract disinformation and create living cultural narratives.

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    Collection

    Views of Odesa. [Album]. View of Odesa from the customs house. Mid-1850s.
    Views of Odesa. [Album]. View of Odesa from the customs house. Mid-1850s.
    Views of Odessa. [Album]. Boulevard. Mid-1850s.
    Views of Odessa. [Album]. Boulevard. Mid-1850s.
    Views of Odessa. [Album]. View of the Pokrovsk Church and Aleksandrovsky Avenue. Mid-1850s.
    Views of Odessa. [Album]. View of the Pokrovsk Church and Aleksandrovsky Avenue. Mid-1850s.
    Odesa. Boulevard. Monument to Duke Richelieu. Late 1870s.
    Odesa. Boulevard. Monument to Duke Richelieu. Late 1870s.
    Odesa. View of the city from the side of Voznesensky Boulevard. 1880s.
    Odesa. View of the city from the side of Voznesensky Boulevard. 1880s.Below the image: Engraved by Julius Berndt, Leipzig. Engr. by Julius Berndt, Leipzig. Published by Emil Berndt, Publishing by Emil Berndt, Odessa. Berndt, Emil (?–1908) — owner of a bookstore in Odessa, publisher. Of German origin. From 1864 — co-owner of Ludwig Rudolf's bookstore (founded in 1839), from 1866 — owner. In 1903, he transferred the store to his son, Julius Berndt, who later sold it to Simon Natanson. Until 1920, the store retained the name of its former owner, Emil Berndt. Illustrations for books and engravings published by his bookstore were printed in Leipzig. From 1875, he owned a publishing house for children's and youth literature in Leipzig (formerly Rudolf Chelius).
    Odesa. View taken from the small pier. 1850s.
    Odesa. View taken from the small pier. 1850s.D’ap. nat. et lith. par F.Gross. Lith. de A. Braun à Odessa.
    Odesa. Quarantine. Mid-1850s.
    Odesa. Quarantine. Mid-1850s.
    Views of Odessa. [Album]. Preobrazhenskaya Square during a storm. Mid-1850s.
    Views of Odessa. [Album]. Preobrazhenskaya Square during a storm. Mid-1850s.
    Mura Zakrevska
    Mura ZakrevskaAdventurer, double agent of the ODPU and English intelligence, countess, baroness, writer, diplomat, thief of hearts. An amazing woman who managed to live not one, but several lives at once. And she has several names: Maria Benckendorff, also known as Maria Budberg, also known as Mura Zakrevska.
    Vasyl Yermylov
    Vasyl Yermylov