Culturna OS

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    It is a new and unique model of cultural infrastructure

    UIC is on a mission to build "Cultural Operating System" for ukrainian art & culture heritage that not only have the best interface, but strategy and entire digital infrastructure for its digitization, publishing, advocacy, popularization and much more

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    Where every collection is important

    To make it happen we must find every digitized archive with Ukrainian art & culture heritage in it from allover the world. So we are looking and connecting with the owners and initiatives inviting them to become our friends, contributors and partners.

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    Unique aproach to innovations created for and with the cultural sector

    Contributors not only share their assets, but greatly benefit from new audience, collaborations, new monetization streams and cutting edge technologies, that our team constantly researching and integrating into the platform.

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    Joint collection

    Anna Sten
    Anna Sten
    Sonia Delaunay wearing Casa Sonia creations, Madrid, c.1920
    Sonia Delaunay wearing Casa Sonia creations, Madrid, c.1920
    Україна або козацька земля з прилеглими провінціями Валахії, Молдавії і Малої Татарії, зображена Йоганом-Баптистом Гоманном
    Україна або козацька земля з прилеглими провінціями Валахії, Молдавії і Малої Татарії, зображена Йоганом-Баптистом ГоманномIt is known by the abbreviated name "Terra Cosaccorum". Johann Baptist Hohmann accumulated all the achievements of scientists, geographers, historians and data about the current situation in Ukraine known at the beginning of the 1700s to make this map. The site of the Battle of Poltava in 1709 is marked on the map; the lands of Transdanubian Sich, which were transferred to Turkey in 1711, are marked as part of the Crimean Khanate; the specified construction of the Perekop Wall, etc. In the cartouche, the territory is named Vkraina in the Latin manner, and already on the map itself it is marked as Ukraina.
    Views of Odesa. [Album]. View of Odesa from the customs house. Mid-1850s.
    Views of Odesa. [Album]. View of Odesa from the customs house. Mid-1850s.
    Views of Odessa. [Album]. Boulevard. Mid-1850s.
    Views of Odessa. [Album]. Boulevard. Mid-1850s.
    Views of Odessa. [Album]. View of the Pokrovsk Church and Aleksandrovsky Avenue. Mid-1850s.
    Views of Odessa. [Album]. View of the Pokrovsk Church and Aleksandrovsky Avenue. Mid-1850s.
    Odesa. Boulevard. Monument to Duke Richelieu. Late 1870s.
    Odesa. Boulevard. Monument to Duke Richelieu. Late 1870s.
    Odesa. View of the city from the side of Voznesensky Boulevard. 1880s.
    Odesa. View of the city from the side of Voznesensky Boulevard. 1880s.Below the image: Engraved by Julius Berndt, Leipzig. Engr. by Julius Berndt, Leipzig. Published by Emil Berndt, Publishing by Emil Berndt, Odessa. Berndt, Emil (?–1908) — owner of a bookstore in Odessa, publisher. Of German origin. From 1864 — co-owner of Ludwig Rudolf's bookstore (founded in 1839), from 1866 — owner. In 1903, he transferred the store to his son, Julius Berndt, who later sold it to Simon Natanson. Until 1920, the store retained the name of its former owner, Emil Berndt. Illustrations for books and engravings published by his bookstore were printed in Leipzig. From 1875, he owned a publishing house for children's and youth literature in Leipzig (formerly Rudolf Chelius).
    Odesa. View taken from the small pier. 1850s.
    Odesa. View taken from the small pier. 1850s.D’ap. nat. et lith. par F.Gross. Lith. de A. Braun à Odessa.
    Odesa. Quarantine. Mid-1850s.
    Odesa. Quarantine. Mid-1850s.