Costume for the Rio Carnival, 1928

Color prisms unknown

Group of women, 1925

Kaleidoscopic colours

T 152985 Sonia Delaunay Composition Orphique 1 Master

Le Coin Des Arts Sonia Delaunay Rythmes Circulaires 1980ca

SD 409 D10946 XBD Sonia Delaunay Solar Prism Collage

Neptune in Cancer.

Two Young Finnish Girls (1907)

1981.30 Simultaneous Dresses Three Women Forms Colors

SOnia Delaunay Robe Poem 1922

Robe Po Me No. 1328 Designed By Sonia Delaunay

Costume for the ballet Cleopatra, 1918

Cleopatra, 1918 Costume designed by Sonia Delaunay

Costume for the ballet Cleopatra, 1918

Paper+Collage

Sonia Delaunay "Infinite Rhythm" - a dedication to Robert Delaunay 1934-1956Sonia Delaunay “Infinite Rhythm – Dedication to Robert Delaunay” (1934-1956). Gouache stencil on parchment paper. Size: 27 x 19.50 cm (46 x 37 cm in frame). Photo: Galerie Modernes

Exhibition poster, New York Cultural Center, April-May 1973

Lithography of colored discs based on Sonia Delaunay's motifs"Colored Discs", lithograph by Sonia Delaunay. Lithograph signed on the plate and numbered (No. 91/150), published by C & S, Luxembourg, circa 1975. Image size: 33 x 23 cm.

Exhibition poster, Galerie De Varenne, Paris, 1969"Sonia, Robert Delaunay and the Theatre", exhibition poster, Galerie Varennes, Paris, 1969. Published by Jacques Damas. Lithograph printed by Art Leto, Paris. The "Yellow Dancer" motif is based on the costume design for the play "Heart of Gas" by Tristan Tzara, staged in Paris in 1923. Photo: Galerie Modernes.

Yellow nude portrait,

La prose du Transsibérien et de la petite Jehanne de France (1913)

Three Female Figures

Seated Female Nude

Glorification of Beauty

Portrait of Alla Horska

"Woe to the Liar" Scene from the play. Act V The premiere took place in Odessa on August 21, 1918, and the premiere in Kyiv was on December 12, 1918.

Oleksandr Bogomazov

Oleksandr Bogomazov. "Kyiv. Landscape". 1910‒1912

Olexander Bohomazov. "Still Life. Bottles". 1915

Olexander Bohomazov. "City Landscape. Potter". 1927‒1928

Oleksandras Bohomazovas. „Peizažas. Geležinkelio sankasos šlaitas“. 1913‒1915

Olexander Bohomazov. "Female Portrait". 1915

Olexander Bohomazov. "Lake Saimaa". 1911

Ukrainian Pavilion at the 1933 World's Fair in Chicago.

Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.

Band New Order performing live in New York in 1981 at the Ukrainian National HomeA New Beginning: This performance was part of New Order’s first U.S. tour, staged a little over a year after Joy Division singer Ian Curtis’s death. It marked a crucial step in the band’s transition and the beginning of their effort to define an identity separate from their previous group. Musical Evolution: On this tour, New Order moved beyond Joy Division’s post‑punk austerity, embracing synthesizers and propulsive rhythms. In New York they unveiled an early, unreleased ten‑minute version of Temptation, drawing rave reviews and cementing their reputation at the forefront of post‑punk. Video Recording: The show—performed in 1981 in New York City—was filmed by Michael Shamberg and later released on VHS as Taras Shevchenko, capturing the band in a raw, transitional phase and becoming a vital document of their early career. The Ukrainian National Home’s name—and the portrait of poet Taras Shevchenko hanging behind the stage—were prominently displayed, underscoring the venue’s cultural co

Interior of an Early Christian Church. A scene from the Inkerman Cave Monastery in CrimeaThe Inkerman Cave Monastery is a cave monastery located in a cliff near the mouth of the Black River in Sevastopol, Crimea. The monastery was originally founded around the 6th century. The image shows a group of people and goats inside the caves, with a view of the landscape outside through the archways. The monastery was closed in 1931 and reopened in 1991, and is currently occupied by so called russian federation.

The costumes for the film Aelita: Queen of Mars were designed by the notable Cubo-Futurist painter and Ukrainian avant-garde artist, Olexandra Exter.

Serge Lifar, ‘élévation’The image depicts the dancer and choreographer Serge Lifar performing a jump, referred to as an "élévation," while a female dancer lies on the deck of what appears to be a ship. The photo was featured in the 1934 book Destin d'un Danseur.

A scene from the play "Hello on the Wave 477!" - A scene from the play. "Infernal action with Ostap Vishnya"