Yaroslava Music. 1965. Central State Library of the Russian Academy of Sciences of Ukraine, f. 251, op. 1, unit. collection 20, sheet 3.

Sofia Nalepinska–Boychuk

Sophia Baudouin de Courtenay and Sophia Nalepinska

Ivanova Antonina Nikolaevna

Oksana Pavlenko

Olga Kobylyanska together with Lesya Ukrainka (Larysa Kosach)

The Kobyliansky family

Ruthenians

Ruthenian women.

Artist Anatol Petrytsky, director Hnat Yura, and his brother Oleksandr Yura-Yursky examine sketches for the play Viy based on the play by Ostap Vyshny. Kharkiv, 1924

Cossacks

Black Sea Cossacks

On the left is a Nogai Tatar, on the right is a Crimean Tatar.

Art

student protest and hunger strike in October 1990

Postcard of the Union for the Liberation of Ukraine. Toronto, 1962 From the collection of the OUN Archives, Ukrainian Information Service, London

From the playing card design: jack of clubsOn the map, the artist depicted the coat of arms of the Herburts – an apple pierced by three swords.

Children of Kochubey

Dikanka. Gazebo in the flower garden

Mazepa's oak from afar

The estate of Prince Kochubey. Chestnut Alley

Prince Kochubey's estate. Mazepa oak

Nicholas Church in the estate of Prince Viktor Sergeevich Kochubey

St. Nicholas Church with a bell tower

Dikanka. General view of the estate

Prince Kochubey's estate. Deer farm

Brewery. Dikanka.

The basement of the Kochubeyiv beer and mead factory

Facade of the Kochubey Palace in Dykanka

Triumphal Arch

Prince Kochubey's estate. Triumphal arch

Dikanka. Hop harvest

Dykanka. Mazepa's Oak

Dikanka. 19th century. In the Kochubey estate they play the so-called lawn tennis (grass tennis).

Dikanka. Fragment of the office of Princess Elena Konstantinovna Kochubey Photo from the magazine STOLYTSA I USAD'BA. 1916. No. 66. September 15

Dikanka. Museum room Photo from the magazine STOLYTSA I USAD'BA.1916. No. 66. September 15

Daniel Galachowski (Danylo Haliakhovskyi), The Triumph of Hetman Ivan Mazepa, 1708, engraving, detail, Warsaw National Museum.

Ukrainian laborers around 1873. From left to right: Tadej Rylsky, William Berenstam, Volodymyr Antonovych, F. T. Panchenko, Borys PoznanskyThese people personify the Ukrainian national revival of the second half of the 19th century, in particular the activities of the Kyiv community (Old community). They represent the phenomenon of culturalism - an intellectual and educational movement of the Ukrainian elite, which aimed to preserve and develop national identity in the face of imperial repressions (such as the Valuev Circular and the Ems Decree).

The coat of arms of the Kochubey family, displayed in a flower bed (carpet decoration) in the courtyard of their former palace in DykankaThe coat of arms of the Kochubey family, displayed in a flower bed (carpet decoration) in the courtyard of their former palace in Dykanka

Spring

Sikorsky at the wheel of one of the first aircraft models

Louise Nevelson, "Sky Cathedral," 1957. Painted wood, 57 x 149 x 16 inches. San José Museum of Art. Gift of Beverly and Peter Lipman, 2010.16. Photo by Douglas SandbergIn the 1950s, Louise Nevelson pushed unorthodox use of material and form to include light and shadow in the creation of large-scale sculptural environments in “a search for continuity between beings, things, and spaces.” At that time, the artist also developed a flamboyant and grandiose persona—jet-black eyelash extensions, colorful coats, and bold jewelry—that reflected the enigma and complexity of her sculptures.

Portrait of Louise Nevelson in front of Night-Focus-Dawn, circa 1969 © All rights reserved, Courtesy Jeanne Bucher Jaeger, Paris–Lisbon

Cossack weapons: Pernach, saber, powder magazine, two flintlocks, whip.

Boychukists studying in the workshop

Unknown work in the style of Boychukism

Work On A Wall Painting In The Club Of Katarzhyn Village Near Odesa

Ukrainian art at the Mezhyhirya Ceramic School Club. Portrait of an Unknown

Boychuk in a workshop in an apartment in Lviv

Boychuk against the backdrop of the murals at the entrance to the chapel of the Jacobite Bursa in Lviv