Yaroslava Music. 1965. Central State Library of the Russian Academy of Sciences of Ukraine, f. 251, op. 1, unit. collection 20, sheet 3.

Sofia Nalepinska–Boychuk

Sophia Baudouin de Courtenay and Sophia Nalepinska

Ivanova Antonina Nikolaevna

Oksana Pavlenko

Spring

Louise Nevelson, "Sky Cathedral," 1957. Painted wood, 57 x 149 x 16 inches. San José Museum of Art. Gift of Beverly and Peter Lipman, 2010.16. Photo by Douglas SandbergIn the 1950s, Louise Nevelson pushed unorthodox use of material and form to include light and shadow in the creation of large-scale sculptural environments in “a search for continuity between beings, things, and spaces.” At that time, the artist also developed a flamboyant and grandiose persona—jet-black eyelash extensions, colorful coats, and bold jewelry—that reflected the enigma and complexity of her sculptures.

Boychukists studying in the workshop

Unknown work in the style of Boychukism

Work On A Wall Painting In The Club Of Katarzhyn Village Near Odesa

Ukrainian art at the Mezhyhirya Ceramic School Club. Portrait of an Unknown

Boychuk in a workshop in an apartment in Lviv

Boychuk against the backdrop of the murals at the entrance to the chapel of the Jacobite Bursa in Lviv

Mykhailo Boychuk and Vasyl Sedlyar

Boychukists of the Boychuk School in Kyiv

Sofia Nalepinska-BoychukUkrainian graphic artist, one of the key figures of Boychukism and a representative of the Shot Revival.

A photo of Mykhailo Boychuk in the studio with an unknown work

Mykhailo Boychuk against the backdrop of an unknown monumental mural

Mykhailo Boychuk against the backdrop of the picturesque composition "Harvest Festival" (the paintings have not survived) for the Kharkiv Chervonozavodsky Theater

Narbut

Miguel Bakun

From right to left - Guilherme Matter, Vasco José Taborda, Nelson Luz and Bakun at the exhibition.

Miguel (Mikhailo) Bakun

A man from the Ukrainian community, the first immigrants in Brazil, demonstrates the art of having many children on the doorstep of his house

17. Alla Gorska Livoruch Pid Chas Podorozhi UkraїNoyu

2. Viktor Zareczkij I Alla Gorska V Hudozhnij Majsterni Poch. 1960 H Rr. 1

Alla Gorska at work on the mosaic scaffolding

Vasyl Parakhin Alla Horska Hryhoriy Synytsia Viktor Zaretsky — Near the "Prometheus" mosaic.

Alla Gorska on the scaffolding of the mosaic

Alla Horska, Hryhoriy Synytsia, Vasyl Stus, Viktor Zaretsky

All Gorska

Nadiyka Hryhorivska Ivan Drach Alla Horska during a trip to Ukraine

20. Alla Gorska Z Druzyami Shistdesyatnikami U Kremeneczi 1963 R

Mykola Glushchenko and Volodymyr Vynnychenko

Photo of Alla Horska, end of the 1940s, Odesa, Ukraine. Ukrainian Unofficial.

Living Echo of the Cossack Elite: Georgiy Narbut in Paraska Apostol’s Kontusz with Kelep and Colonel MiloradovychIn the photograph, Georgiy Narbut stands in the Cossack hall of the Tarnovsky Museum (now a room of the Chernihiv Regional Library for Youth), fully immersed in a historical Ukrainian image. He is dressed in the kontusz of Paraska Apostol, daughter of Hetman Danylo Apostol, holding a kelep in his right hand, while to his right stands Colonel Mykhailo “Cannon” Miloradovych. This staged yet documentary scene shows Narbut not just studying Cossack-era artifacts, but literally wearing them, turning himself into a living embodiment of the Ukrainian noble-Cossack past.

First Edition Hans Christian Andersen Prygun The Jumpers Heorhiy Narbut

Page from Hans C. Andersen, Heorhiy Narbut Prygun / The Jumpers

Group “Renovation Byzantine” of the first wave