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    Mykola Zakharovych Levchenko

    Original: All rights reservedRestoration: All rights reserved
    5s
    Chestakhivskyi Grigoriy
    fragment of "Musical Grammar" by M. Dyletsky.
    fragment of "Musical Grammar" by M. Dyletsky.A native of Kyiv, Mykola Dyletsky is called the creator of the Western school of partes music, which gave the world a number of outstanding composers. He wrote the theoretical work “Musical Grammar” — a monument of the Ukrainian Baroque — which was published exactly 350 years ago in Vilna (now Vilnius). In it, Dyletsky explained in detail the technical features of partes singing and composition. And what is important! In this work, he was the first in the world to describe the circle of fifths — as a graphic diagram by which a musician can trace the harmonic connections between all major and minor keys of 12 notes. For composers, this work made it easier to write music. This is really worth paying attention to… The work “The Resurrection Canon” by Mykola Dyletsky. Please listen.
    Young lady Brustura
    Young lady Brustura
    Hutsul in a sheepskin coat
    Hutsul in a sheepskin coat
    Portrait Of A Woman
    Portrait Of A Woman
    Vasyl Domanytskyi, historian, editor, public and political figure.
    Vasyl Domanytskyi, historian, editor, public and political figure.
    Portrait of an unknown woman
    Portrait of an unknown woman
    The Odious Vynnychenko
    The Odious Vynnychenko
    Група українських письменників, що зібрались у Полтаві на відкритті пам’ятника Котляревському
    Група українських письменників, що зібрались у Полтаві на відкритті пам’ятника Котляревському
    Starytskyj
    Starytskyj
    Photo of Alla Horska, end of the 1940s, Odesa, Ukraine. Ukrainian Unofficial.
    Photo of Alla Horska, end of the 1940s, Odesa, Ukraine. Ukrainian Unofficial.
    Living Echo of the Cossack Elite: Georgiy Narbut in Paraska Apostol’s Kontusz with Kelep and Colonel Miloradovych
    Living Echo of the Cossack Elite: Georgiy Narbut in Paraska Apostol’s Kontusz with Kelep and Colonel MiloradovychIn the photograph, Georgiy Narbut stands in the Cossack hall of the Tarnovsky Museum (now a room of the Chernihiv Regional Library for Youth), fully immersed in a historical Ukrainian image. He is dressed in the kontusz of Paraska Apostol, daughter of Hetman Danylo Apostol, holding a kelep in his right hand, while to his right stands Colonel Mykhailo “Cannon” Miloradovych. This staged yet documentary scene shows Narbut not just studying Cossack-era artifacts, but literally wearing them, turning himself into a living embodiment of the Ukrainian noble-Cossack past.
    Portrait of a man
    Portrait of a man
    Portrait of Mrs Morimoto and her son
    Portrait of Mrs Morimoto and her son
     The Old Man and the Dog
    The Old Man and the Dog
    Portrait of a Lady
    Portrait of a Lady
    Portrait of Marie Bashkirtseff
    Portrait of Marie Bashkirtseffabout 1870s
    Portrait of a Woman
    Portrait of a Woman
    At A Book
    At A Book
    Portrait of a Woman Sitting Face to Face, with a Cigarette in Her Right Hand,
    Portrait of a Woman Sitting Face to Face, with a Cigarette in Her Right Hand,Marie Bashkyrtseva, “Portrait of a Woman Sitting Face to Face, with a Cigarette in Her Right Hand” drawing on paper, 24.5 x 18.5 cm, Musée d’Orsay, the work is kept in the Louvre Museum, © Photo: RMN-Grand Palais (Musée d’Orsay) / Michel Hurtado
    Umbrella
    UmbrellaMaria Bashkyrtseva, "Umbrella", 1883, oil on canvas, 93 x 74 cm, Russian Museum, St. Petersburg, © Artepics / Alamy Stock Photos
    Portrait of Countess Dina de Toulouse-Lautrec
    Portrait of Countess Dina de Toulouse-LautrecMarie Bashkirtseff, Portrait of Countess Dina de Toulouse-Lautrec, 1883, pastel, 61 x 50 cm, Musée d’Orsay, © Photo: RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski
    Self-portrait with Palette
    Self-portrait with PaletteMaria Bashkyrtseva, "Self-portrait with Palette", 1883, oil on canvas, 192 x 73 cm, Museum of Fine Arts of Nice, © Collection of Fine Arts / Alamy Stock Photo
    The Sorrow of Nausica
    The Sorrow of NausicaMarie Bashkirtseff, "The Sorrow of Nausica", bronze sculpture, 83 x 23.7 x 23 cm, Musée d'Orsay, © Photo: RMN-Grand Palais (Musée d'Orsay) / Hervé Lewandowski
    Bank and Company Mari Bashkyrtseva Before 1884
    Bank and Company Mari Bashkyrtseva Before 1884Benque & Cie, Marie Bashkyrtseva, in a white dress, standing with her arms folded on her stomach, before 1884, aristotype (citrate print), mounted on cardboard, 19.7 x 12.8 cm, Musée d'Orsay © All rights reserved – Photo Musée d'Orsay / RMN
    he Reader (Portrait of Dina Babanina, a cousin of the artist)
    he Reader (Portrait of Dina Babanina, a cousin of the artist)
    Portrait of a young woman (1878)
    Portrait of a young woman (1878)
    Portrait de Mme X (1884)
    Portrait de Mme X (1884)
    Marie Bashkirtseff’s Sister in law (1881)
    Marie Bashkirtseff’s Sister in law (1881)
    "The Parisian Woman", portrait of Irma, model at the Académie Julian (1882)
    "The Parisian Woman", portrait of Irma, model at the Académie Julian (1882)
    Portrait Of A Young Woman Reading (1880)
    Portrait Of A Young Woman Reading (1880)
    Futurist David Burliuk
    Futurist David Burliuk
    David Burliuk in Japan
    David Burliuk in Japan
    About the Shah of Persia in Odessa
    About the Shah of Persia in OdessaShah Mohammed Ali arrived in Odessa on September 10, 1909, fleeing the Persian revolution. He was given a two-story Gothic palace of Brzhozovsky on Gogol Street with 40 rooms to live in; the rent was 12,000 rubles per year and was not paid by him personally. The legend of the “shah’s harem in Odessa” is not confirmed by the press of the time: the media covered his life in detail, but did not write about the harem. In 1911, he secretly left, trying to regain the throne, and was defeated. There are references that in 1912 he was briefly returned to Odessa, but in 1913 the former ruler was no longer in the city, which contradicts later claims that he left only in 1920. Sources (not Wikipedia) are needed regarding his further movements after 1913.
    Colonel U.S.S., Vasyl Vyshyvany
    Colonel U.S.S., Vasyl Vyshyvany
    Kurinny S. Goruk
    Kurinny S. Goruk
    Sich riflemen signalmen with the German radiotelegraph "Telefunken"
    Sich riflemen signalmen with the German radiotelegraph "Telefunken"
    Portrait of Alla Horska
    Portrait of Alla Horska
    Raising The Flag On Iwo Jima
    Raising The Flag On Iwo JimaMichael Strank is an American soldier of Ukrainian origin, a symbol of the US victory in World War II. He was born on November 10, 1919 in Oryabyn (Pryashiv region), emigrated to the United States in the 1920s; his father worked in the mines of Pennsylvania. After school (1937), he served in the Civilian Environmental Protection Corps, working on highways. In October 1939, he joined the Marine Corps; participated in battles on the Russell and Bougainville Islands (1942–1944). The commander of the detachment during the Battle of Iwo Jima landed on Iwo Jima on February 19, 1945 and raised a large flag on Mount Suribachi - a photo by Joe Rosenthal "Raising the Flag on Iwo Jima" became an icon of the war. By the end of March, three of the six, including Strank, were dead (March 1, 1945). Buried in Arlington; Marine Corps Memorial based on photo. Awards: Bronze Star (V), Purple Heart, Presidential Citation, Asiatic Pacific Campaign Medal. Played by Barry Pepper in the film Flags of Our Fathers. In Ukraine: mini-sculpture in Uzhgorod (2015), sculpture in the Museum of the Formation
    Ukrainian archaeologist Borys Mozolevski with the Scythian Golden Pectoral, which he discovered in 1971.
    Ukrainian archaeologist Borys Mozolevski with the Scythian Golden Pectoral, which he discovered in 1971.The Golden Pectoral is a solid gold neckpiece from the 4th century BC. It was found in the Tovsta Mohyla, an ancient Scythian burial mound in southern Ukraine. The artifact is considered one of the most significant archaeological finds of the 20th century. Mozolevski's discovery is a rare example of artistry and influential discovery.