"Woe to the Liar" Scene from the play. Act V The premiere took place in Odessa on August 21, 1918, and the premiere in Kyiv was on December 12, 1918.

Oleksandr Bogomazov

Oleksandr Bogomazov. "Kyiv. Landscape". 1910‒1912

Olexander Bohomazov. "Still Life. Bottles". 1915

Olexander Bohomazov. "City Landscape. Potter". 1927‒1928

Oleksandras Bohomazovas. „Peizažas. Geležinkelio sankasos šlaitas“. 1913‒1915

Olexander Bohomazov. "Female Portrait". 1915

Olexander Bohomazov. "Lake Saimaa". 1911

Ukrainian Pavilion at the 1933 World's Fair in Chicago.

Photo of the main facade of the National Museum of Arts of Ukraine. Early 20th century.

Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.

Band New Order performing live in New York in 1981 at the Ukrainian National HomeA New Beginning: This performance was part of New Order’s first U.S. tour, staged a little over a year after Joy Division singer Ian Curtis’s death. It marked a crucial step in the band’s transition and the beginning of their effort to define an identity separate from their previous group. Musical Evolution: On this tour, New Order moved beyond Joy Division’s post‑punk austerity, embracing synthesizers and propulsive rhythms. In New York they unveiled an early, unreleased ten‑minute version of Temptation, drawing rave reviews and cementing their reputation at the forefront of post‑punk. Video Recording: The show—performed in 1981 in New York City—was filmed by Michael Shamberg and later released on VHS as Taras Shevchenko, capturing the band in a raw, transitional phase and becoming a vital document of their early career. The Ukrainian National Home’s name—and the portrait of poet Taras Shevchenko hanging behind the stage—were prominently displayed, underscoring the venue’s cultural co

Interior of an Early Christian Church. A scene from the Inkerman Cave Monastery in CrimeaThe Inkerman Cave Monastery is a cave monastery located in a cliff near the mouth of the Black River in Sevastopol, Crimea. The monastery was originally founded around the 6th century. The image shows a group of people and goats inside the caves, with a view of the landscape outside through the archways. The monastery was closed in 1931 and reopened in 1991, and is currently occupied by so called russian federation.

The costumes for the film Aelita: Queen of Mars were designed by the notable Cubo-Futurist painter and Ukrainian avant-garde artist, Olexandra Exter.

Serge Lifar, ‘élévation’The image depicts the dancer and choreographer Serge Lifar performing a jump, referred to as an "élévation," while a female dancer lies on the deck of what appears to be a ship. The photo was featured in the 1934 book Destin d'un Danseur.

Georges Lepape’s “Simultaneous” Vogue Cover, "Simultaneous" dress designed by artist Sonia Delaunay. Vogue magazine from Late January 1925, featuring a work by French illustrator Georges Lepape. The illustration depicts a woman in a geometric, colorful outfit standing next to a car with a similar pattern. The dress is a "Simultaneous" dress designed by artist Sonia Delaunay.

This is a VHS video tape of the band New Order's live performance, titled Taras Shevchenko.The performance was recorded live at the Ukrainian National Home in New York City on November 18, 1981. The cover art features an image of Ukrainian poet and artist Taras Shevchenko. The item is a cult classic and can be found on auction sites like eBay. The tape is sold as-is due to its age, and its functionality may not be guaranteed.

Сoncrete relief on the stairs in the interior of the "Dnipro" sanatorium (now known as Druzhba) in Yevpatoria, Crimea. The artwork was created by Ukrainian artist Ernest Kotkov in the early 1980s.

Anna Sten in Nana (1934), dark room

Anna Sten in Nana (1934)

In the Pubdrawing by the Ukrainian artist and poet Taras Shevchenko. The work is a sepia drawing on paper. Taras Shevchenko was a significant figure in Ukrainian literature and art, known for his poetry and his role in the Ukrainian national revival. He created a large body of artwork, including portraits, landscapes, and compositions on various themes, using different mediums. The image depicts three men in a room, with one man standing shirtless and holding a paper, while the other two are seated.

Page from the Peresopnytsia Gospel, an illuminated manuscript of the four Gospels of the New Testament that is considered a significant cultural artifact of Ukraine.

Robinson Crusoe by Taras ShevchenkoThis drawing is an illustration of the literary character Robinson Crusoe, created in 1856 by the Ukrainian artist and writer Taras Shevchenko. The artwork is done on paper using sepia and bistre and is part of the collection at the Taras Shevchenko National Museum in Kyiv, Ukraine. Shevchenko was known to have a high appreciation for Daniel Defoe and his novel "Robinson Crusoe," and even advised both children and adults to read the book. The drawing shows Crusoe, depicted with long hair and a hat, seated in a cave and reading a book. A goat can be seen behind him. The work was created during Shevchenko's exile, a period in which he was forbidden from writing or drawing. The artist was a prominent figure of the Ukrainian national revival.

Mykola Murashko portrait

Cathedral of the Pochaiv Lavra (interior view)The painting was created in 1846 during Shevchenko's trip to Volhynia, where he was a member of the Archeographic Commission. It depicts the interior of the Assumption Cathedral, which is part of the Pochaiv Lavra monastery in Ukraine. The Pochaiv Lavra is one of the most revered and largest shrines in Ukraine.

Ukrainian Refugee American Style

Portrait of singer L.A. Delmas (1908-1909) by Ukrainian artist Oleksandr Murashko.

Taras Shevchenko and a Kazakh Boy Playing with a CatSepia drawing by the Ukrainian artist and poet Taras Shevchenko, created between 1856 and 1857. The artwork depicts Shevchenko in the background, observing a Kazakh boy in the foreground who is playing with a cat. The drawing was made while Shevchenko was in exile at Novopetrovsk fortress (now Fort Shevchenko in Kazakhstan) on the Mangyshlak Peninsula. During his ten years in exile, he was officially forbidden from writing or painting. However, he continued his artistic work secretly with the support of friendly locals and his friends. He was assigned to a geological expedition, which provided him with opportunities to sketch. The drawing is in the collection of the National Museum of Taras Shevchenko in Kyiv, Ukraine.

In Kachanivka, at the Tarnovsky EstateIn Kachanovka, at the Tarnovsky Estate is an oil painting by the Ukrainian painter Vasily Sternberg, created in 1838. The painting depicts Russian composer Mikhail Glinka working on his opera Ruslan and Ludmila in the study of the Tarnovsky estate. Also in the image are the Ukrainian artist Vasily Sternberg, who is seen drawing at an easel, and the Ukrainian historian Nikolai Markevich, seated at the table with Glinka. The estate itself, located in Kachanivka, Ukraine, was a well-known cultural center that attracted many artists and writers, including Ilya Repin and Taras Shevchenko.

Vasyl Tarnovsky PortraitPortrait of Vasyl Vasylovych Tarnovsky, a prominent Ukrainian public figure, patron of the arts, and collector of Ukrainian antiquities from the second half of the 19th century. His collection formed the basis of the Chernihiv Historical Museum named after him. He is also known for posing for the artist Ilya Repin for the painting "Reply of the Zaporozhian Cossacks".

Vasyl Yermylov

Portrait of the artist Margit Selska. 1930s. Photo by Oleksandr Krzywoblotsky

Epifanij DrowniakNikifor Drovniak (real name Epifany Drovniak) was a Ukrainian primitivist artist of Lemko origin, born on May 21, 1895 in the city of Krynica (now Krynica-Zdrój, Poland) and died on October 10, 1968 in Folusz. His life was full of difficulties: he had speech and hearing impairments, lived in poverty and loneliness, and was often considered mentally ill. Despite this, Nikifor created over 40 thousand works, mostly watercolors, on paper, cardboard, notebook covers, and other improvised materials. His work includes self-portraits, landscapes of Krynica, and images of churches and city panoramas. In the 1930s, his works were discovered by Ukrainian artist Roman Turin, who presented them in Paris, which brought Nikifor some recognition among artists. However, real recognition came only in the 1960s thanks to the support of the Polish artist Marian Włosinski, who organized exhibitions of his works in Warsaw and other cities. After Nikifor's death, his legacy was preserved, and today

Interior of the mansion of Bohdan and Varvara Khanenko.

Rest

Modest Menczynski - Lohenrin in the opera Lohenrin > by Richard Wagner. 1909

Mentsynskyi Modest Omelyanovich

Ukrainian Princess Olga

Marie Bashkyrtseff a star artist of Paris Maria Bashkirtseff gained popularity in Paris in the 1880s thanks to her realist painting "The Meeting," which was exhibited at the Paris Salon. She became the first woman to have her works displayed in the Louvre after her death in 1884 and the publication of her diary in 1887, solidifying her as a

Olena Prakhova

Berezil Museum

Berezil Museum