Original: All rights reservedRestoration: All rights reserved
Father Mykola Lysko - one of the first priests who arrived in the Ukrainian community of the first settlers of the state of Paraná in Brazil
A man from the Ukrainian community, the first immigrants in Brazil, demonstrates the art of having many children on the doorstep of his house
The first streets of Ukrainian emigrants in Brazil
Wedding family photo of the first immigrants from Ukraine in Brazil
Tree stumps in the first Ukrainian settlements in Brazil
The Gazdas are ready to explore the vast expanses of Brazil, which will later become the state of Paraná and the city of Prudentópolis.
Construction of the first roads in the state of Paraná, in the Brazilian jungle, by Ukrainian immigrants
Brazilian gentlemen from Ukraine in nice suits
Ukrainian farmers have greatly improved the Paraná region in terms of agro-industry, and this trend continues to this day.
The first Brazilian harvests of the first Ukrainians on the continent in wild conditions
Basilian priests Tiko and Diva
The first printing press in Prudentopolis
Father Athanasius. The grand opening of the new printing house in 1938.
Father Athanasius, 1st Ukrainian Church
Ostapiv Veselka Kom Ephraim Krevey
Church with carriages
Seminary of Mercia Guimaraes
Sister of Josaphat I. Raphael
Sister Josaphat College is expanding
Church of St. Basil the Blessed in Prudentopolis
Church of Hope Ternoski
Wedding of Anair Lopez
Dionysius Opushkevych Ukrainian Club
Another club November 12
Mércia Guimarães, Workers' Club і Cine Oriente
Father Athanasius' Immigrants
Father Atanasio's Immigrant Barracks 1896
Marcelo Escolinha Immigrants
Father Atanasio's Immigrant Barracks
Brazilian Ukrainian Immigrants in senador Correa Machado
Band New Order performing live in New York in 1981 at the Ukrainian National HomeA New Beginning: This performance was part of New Order’s first U.S. tour, staged a little over a year after Joy Division singer Ian Curtis’s death. It marked a crucial step in the band’s transition and the beginning of their effort to define an identity separate from their previous group. Musical Evolution: On this tour, New Order moved beyond Joy Division’s post‑punk austerity, embracing synthesizers and propulsive rhythms. In New York they unveiled an early, unreleased ten‑minute version of Temptation, drawing rave reviews and cementing their reputation at the forefront of post‑punk. Video Recording: The show—performed in 1981 in New York City—was filmed by Michael Shamberg and later released on VHS as Taras Shevchenko, capturing the band in a raw, transitional phase and becoming a vital document of their early career. The Ukrainian National Home’s name—and the portrait of poet Taras Shevchenko hanging behind the stage—were prominently displayed, underscoring the venue’s cultural co
Jim Morrison in Ukrainian embroideryThis photograph shows musician Jim Morrison, the lead singer of the rock band The Doors, in 1966. The photo was taken by Guy Webster. The shirt he is wearing is a traditional Ukrainian embroidered shirt known as a vyshyvanka. According to some accounts, the shirt may have been a gift from artist Andy Warhol, who was of Ukrainian descent.
This is a VHS video tape of the band New Order's live performance, titled Taras Shevchenko.The performance was recorded live at the Ukrainian National Home in New York City on November 18, 1981.
The cover art features an image of Ukrainian poet and artist Taras Shevchenko.
The item is a cult classic and can be found on auction sites like eBay.
The tape is sold as-is due to its age, and its functionality may not be guaranteed.
Ukrainian Refugee American Style
Nudie Kon - Nudie and his Mandolin
Nudie Cohn in his store with "Nudie and his Mandolin" vinyl
Nudie Cohn and Elvis PresleyNudie Cohn designed Elvis' famous gold suit featured on the album cover of "50,000,000 Elvis Fans Can't Be Wrong."
Nudie Cohn and Roy Rogers
Nudie Cohn and Gram Parsons in his Flying Burrito Brothers Nudie suitAs the 1960's were winding down, Nudie Cohn's career took on a new dimension when he made a suit for Gram Parsons. An article by Elyssa East in the Oxford American magazine provides some details about the creation of Nudie's most renowned suit:
“The 1960s were coming to a close when rising country rock musician Gram Parsons posed next to Nudie Cohn, the celebrated Western-wear designer more than three times his senior. Raeanne Rubenstein shot their portrait for Show: The Magazine of the Arts at Nudie’s Los Angeles workshop. Over a smooth bare chest and midriff, the twenty-something Parsons wore the suit Nudie designed for him for the cover of the Flying Burrito Brothers’ debut album, The Gilded Palace of Sin. Made of white cavalry twill, it was embroidered with crudely ren
A watering hole under a bridge in a city in Yunnan province by Sofia Yablonska