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    Davyd Davydovych Burliuk

    1929newyork1

    Author:Davyd Davydovych BurliukDepicted:Davyd Davydovych BurliukOriginal: All rights reservedRestoration: All rights reserved
    Futurist David Burliuk
    Futurist David Burliuk
    David Burliuk in Japan
    David Burliuk in Japan
    Pilar Montero (1901)
    Pilar Montero (1901)
    First Annual Exhibition of the Students of the Julian Academy. Vollard Gallery (1897)
    First Annual Exhibition of the Students of the Julian Academy. Vollard Gallery (1897)
    Exhibition poster, Galerie De Varenne, Paris, 1969
    Exhibition poster, Galerie De Varenne, Paris, 1969"Sonia, Robert Delaunay and the Theatre", exhibition poster, Galerie Varennes, Paris, 1969. Published by Jacques Damas. Lithograph printed by Art Leto, Paris. The "Yellow Dancer" motif is based on the costume design for the play "Heart of Gas" by Tristan Tzara, staged in Paris in 1923. Photo: Galerie Modernes.
    Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.
    Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.
    Band New Order performing live in New York in 1981 at the Ukrainian National Home
    Band New Order performing live in New York in 1981 at the Ukrainian National HomeA New Beginning: This performance was part of New Order’s first U.S. tour, staged a little over a year after Joy Division singer Ian Curtis’s death. It marked a crucial step in the band’s transition and the beginning of their effort to define an identity separate from their previous group. Musical Evolution: On this tour, New Order moved beyond Joy Division’s post‑punk austerity, embracing synthesizers and propulsive rhythms. In New York they unveiled an early, unreleased ten‑minute version of Temptation, drawing rave reviews and cementing their reputation at the forefront of post‑punk. Video Recording: The show—performed in 1981 in New York City—was filmed by Michael Shamberg and later released on VHS as Taras Shevchenko, capturing the band in a raw, transitional phase and becoming a vital document of their early career. The Ukrainian National Home’s name—and the portrait of poet Taras Shevchenko hanging behind the stage—were prominently displayed, underscoring the venue’s cultural co
    Petro Levchenko is a Ukrainian painter
    Petro Levchenko is a Ukrainian painter
    Oleksandr Murashko in the forest
    Oleksandr Murashko in the forest
    10s
    Oleksandr and Margarita Murashko on their wedding day
    Oleksandr Murashko in his workshop.
    Oleksandr Murashko in his workshop.
    Angelica and Olexandr Archypenko on their way to New York, 1923
    Angelica and Olexandr Archypenko on their way to New York, 1923
    Mykhailo Boychuk in the restoration studio in Lviv
    Mykhailo Boychuk in the restoration studio in Lviv
    Olexander Archipenko working on Princess Matchabelli
    Olexander Archipenko working on Princess Matchabelli