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    1919

    Artist Anatol Petrytsky, director Hnat Yura, and his brother Oleksandr Yura-Yursky examine sketches for the play Viy based on the play by Ostap Vyshny. Kharkiv, 1924

    Original: All rights reservedRestoration: All rights reserved
    Cossacks
    Cossacks
    Black Sea Cossacks
    Black Sea Cossacks
    On the left is a Nogai Tatar, on the right is a Crimean Tatar.
    On the left is a Nogai Tatar, on the right is a Crimean Tatar.
    Art
    Art
    student protest and hunger strike in October 1990
    student protest and hunger strike in October 1990
    Postcard of the Union for the Liberation of Ukraine. Toronto, 1962 From the collection of the OUN Archives, Ukrainian Information Service, London
    Postcard of the Union for the Liberation of Ukraine. Toronto, 1962 From the collection of the OUN Archives, Ukrainian Information Service, London
    From the playing card design: jack of clubs
    From the playing card design: jack of clubsOn the map, the artist depicted the coat of arms of the Herburts – an apple pierced by three swords.
    Children of Kochubey
    Children of Kochubey
    Dikanka. Gazebo in the flower garden
    Dikanka. Gazebo in the flower garden
    The estate of Prince Kochubey. Chestnut Alley
    The estate of Prince Kochubey. Chestnut Alley
    Prince Kochubey's estate. Mazepa oak
    Prince Kochubey's estate. Mazepa oak
    Nicholas Church in the estate of Prince Viktor Sergeevich Kochubey
    Nicholas Church in the estate of Prince Viktor Sergeevich Kochubey
    St. Nicholas Church with a bell tower
    St. Nicholas Church with a bell tower
    Prince Kochubey's estate. Deer farm
    Prince Kochubey's estate. Deer farm
    The basement of the Kochubeyiv beer and mead factory
    The basement of the Kochubeyiv beer and mead factory
    Facade of the Kochubey Palace in Dykanka
    Facade of the Kochubey Palace in Dykanka
    Triumphal Arch
    Triumphal Arch
    Prince Kochubey's estate. Triumphal arch
    Prince Kochubey's estate. Triumphal arch
    Dikanka. Hop harvest
    Dikanka. Hop harvest
    Dikanka. 19th century. In the Kochubey estate they play the so-called lawn tennis (grass tennis).
    Dikanka. 19th century. In the Kochubey estate they play the so-called lawn tennis (grass tennis).
    Dikanka. Fragment of the office of Princess Elena Konstantinovna Kochubey Photo from the magazine STOLYTSA I USAD'BA. 1916. No. 66. September 15
    Dikanka. Fragment of the office of Princess Elena Konstantinovna Kochubey Photo from the magazine STOLYTSA I USAD'BA. 1916. No. 66. September 15
    Dikanka. Museum room Photo from the magazine STOLYTSA I USAD'BA.1916. No. 66. September 15
    Dikanka. Museum room Photo from the magazine STOLYTSA I USAD'BA.1916. No. 66. September 15
    Daniel Galachowski (Danylo Haliakhovskyi), The Triumph of Hetman Ivan Mazepa, 1708, engraving, detail, Warsaw National Museum.
    Daniel Galachowski (Danylo Haliakhovskyi), The Triumph of Hetman Ivan Mazepa, 1708, engraving, detail, Warsaw National Museum.
    Ukrainian laborers around 1873. From left to right: Tadej Rylsky, William Berenstam, Volodymyr Antonovych, F. T. Panchenko, Borys Poznansky
    Ukrainian laborers around 1873. From left to right: Tadej Rylsky, William Berenstam, Volodymyr Antonovych, F. T. Panchenko, Borys PoznanskyThese people personify the Ukrainian national revival of the second half of the 19th century, in particular the activities of the Kyiv community (Old community). They represent the phenomenon of culturalism - an intellectual and educational movement of the Ukrainian elite, which aimed to preserve and develop national identity in the face of imperial repressions (such as the Valuev Circular and the Ems Decree).
    The coat of arms of the Kochubey family, displayed in a flower bed (carpet decoration) in the courtyard of their former palace in Dykanka
    The coat of arms of the Kochubey family, displayed in a flower bed (carpet decoration) in the courtyard of their former palace in DykankaThe coat of arms of the Kochubey family, displayed in a flower bed (carpet decoration) in the courtyard of their former palace in Dykanka
    Spring
    Spring
    Sikorsky at the wheel of one of the first aircraft models
    Sikorsky at the wheel of one of the first aircraft models
    Louise Nevelson, "Sky Cathedral," 1957. Painted wood, 57 x 149 x 16 inches. San José Museum of Art. Gift of Beverly and Peter Lipman, 2010.16. Photo by Douglas Sandberg
    Louise Nevelson, "Sky Cathedral," 1957. Painted wood, 57 x 149 x 16 inches. San José Museum of Art. Gift of Beverly and Peter Lipman, 2010.16. Photo by Douglas SandbergIn the 1950s, Louise Nevelson pushed unorthodox use of material and form to include light and shadow in the creation of large-scale sculptural environments in “a search for continuity between beings, things, and spaces.” At that time, the artist also developed a flamboyant and grandiose persona—jet-black eyelash extensions, colorful coats, and bold jewelry—that reflected the enigma and complexity of her sculptures.
    Portrait of Louise Nevelson in front of Night-Focus-Dawn, circa 1969 © All rights reserved, Courtesy Jeanne Bucher Jaeger, Paris–Lisbon
    Portrait of Louise Nevelson in front of Night-Focus-Dawn, circa 1969 © All rights reserved, Courtesy Jeanne Bucher Jaeger, Paris–Lisbon
    Cossack weapons: Pernach, saber, powder magazine, two flintlocks, whip.
    Cossack weapons: Pernach, saber, powder magazine, two flintlocks, whip.
    71293f0 . 1914. Oto. Ojchuk V Majsterni Pomeshkanni V Budinku U Vovi. .07
    71293f0 . 1914. Oto. Ojchuk V Majsterni Pomeshkanni V Budinku U Vovi. .07
    Be987df . 1913. Oto. Ojchuk Na Tli Rozpisiv Vkhodu Do Kaplitsi Jakivs Koji Bursi U Vovi. .06
    Be987df . 1913. Oto. Ojchuk Na Tli Rozpisiv Vkhodu Do Kaplitsi Jakivs Koji Bursi U Vovi. .06
    Boychuk I Sedlyar O Resized.Max 1920x1080
    Boychuk I Sedlyar O Resized.Max 1920x1080
    E37 2 Boichuk School In Kyiv.Max 1920x1080
    E37 2 Boichuk School In Kyiv.Max 1920x1080
    Pic B O Boichuk Mykhailo At Work 63603acadbde4.Jpeg
    Pic B O Boichuk Mykhailo At Work 63603acadbde4.Jpeg
    219c25 10553d7f7e184d2c9f8dd463167390b9~Mv2
    219c25 10553d7f7e184d2c9f8dd463167390b9~Mv2
    219c25 A1283cceeb9848648a5149aebd45865b~Mv2
    219c25 A1283cceeb9848648a5149aebd45865b~Mv2
    Narbut
    Narbut
    DEMAND UKRAINIAN STATE!
    DEMAND UKRAINIAN STATE!Delegates Applaud Wilson Participation in Peace Congress. WASHINGTON, Dec. 14. Delegates at a congress held here adopted resolutions demanding the establishment of an independent Ukrainian State as an essential condition for the realization of peace and justice in Eastern Europe. They declared themselves opposed to any armed intervention that would endanger the principle of self‑determination of nations. One of the resolutions protests against the occupation of Eastern Galicia by Polish troops, which, the delegates assert, represents the interests of Polish imperialists. Another resolution expresses support for President Wilson’s participation in the Peace Conference and voices confidence that he will defend the principles of right, democracy, liberty, justice, and the self‑determination of nations which he upheld during the war. From The New York Times, Dec. 15, 1918. Copyright The New York Times.
    RUSSO-UKRAINE PEACE, AGREEMENT FOR ARBITRATION OF FUTURE DISPUTES REPORTED
    RUSSO-UKRAINE PEACE, AGREEMENT FOR ARBITRATION OF FUTURE DISPUTES REPORTEDAMSTERDAM, June 28.—A telegram from Kiev, russia, says that an agreement has been reached in the peace negotiations between Russia and Ukraine regarding the frontier boundaries. All disputes arising after the conclusion of peace are to be settled by a court of arbitration. Both delegations declared themselves ready to exclude all idea of annexations or forcible seizure of territory. In view of the political, economic and other interests of both peoples, it was decided that the ethnographic principle should govern the formation of the frontiers. Published: June 29, 1918 The New York Times. Copyright © The New York Times.