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    Carlo Bossoli1856 Inkerman Cave Monastery in Crimea

    Interior of an Early Christian Church. A scene from the Inkerman Cave Monastery in Crimea

    The Inkerman Cave Monastery is a cave monastery located in a cliff near the mouth of the Black River in Sevastopol, Crimea. The monastery was originally founded around the 6th century. The image shows a group of people and goats inside the caves, with a view of the landscape outside through the archways. The monastery was closed in 1931 and reopened in 1991, and is currently occupied by so called russian federation.

    Author:Carlo BossoliProduction technique:ChromolithographyPlace: Inkerman Cave Monastery in CrimeaOriginal: All rights reserved
    Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.
    Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.
    Band New Order performing live in New York in 1981 at the Ukrainian National Home
    Band New Order performing live in New York in 1981 at the Ukrainian National HomeA New Beginning: This performance was part of New Order’s first U.S. tour, staged a little over a year after Joy Division singer Ian Curtis’s death. It marked a crucial step in the band’s transition and the beginning of their effort to define an identity separate from their previous group. Musical Evolution: On this tour, New Order moved beyond Joy Division’s post‑punk austerity, embracing synthesizers and propulsive rhythms. In New York they unveiled an early, unreleased ten‑minute version of Temptation, drawing rave reviews and cementing their reputation at the forefront of post‑punk. Video Recording: The show—performed in 1981 in New York City—was filmed by Michael Shamberg and later released on VHS as Taras Shevchenko, capturing the band in a raw, transitional phase and becoming a vital document of their early career. The Ukrainian National Home’s name—and the portrait of poet Taras Shevchenko hanging behind the stage—were prominently displayed, underscoring the venue’s cultural co
    Snake Island by Carlo Bossoli.
    Snake Island by Carlo Bossoli.The painting depicts a stormy sea with a ship, possibly HMS Victory, and a smaller vessel near an island. The island, historically known as the "Island of Achilles," is located in the Black Sea. The painting is a public domain work of art.
    General View of Sevastopol
    General View of SevastopolCarlo Bossoli was an Italian-Swiss artist known for his detailed landscapes and battle scenes. The work depicts the city and harbor of Sevastopol, a strategic Black Sea port. Bossoli created a series of lithographs based on his travels through Crimea in the 1840s. The image captures Sevastopol shortly after the Crimean War, which concluded in 1856, and shows the destruction from the siege that lasted from October 1854 to September 1855.
    Bakhchysarai, the former capital of the Crimean Khanate
    Bakhchysarai, the former capital of the Crimean KhanateThe painting depicts the Bakhchysarai Palace (also known as Khan's Palace or Hansaray), a 16th-century architectural complex that served as the residence of a succession of Crimean Khans. Built in 1532 by Sahib I Giray, it is considered the only preserved example of Crimean Tatar palace architecture in the world. The palace complex was built with a blend of Ottoman, Persian, and Italian architectural styles. It originally included a mosque, a harem, a cemetery, living quarters, and gardens. The palace's famous "Fountain of Tears" was the subject of a narrative poem by Russian writer Alexander Pushkin.
    A Tartar House in the Village of Alupka
    A Tartar House in the Village of AlupkaThe Crimean Tatar people have a rich cultural history, with their architecture showing influences from Islamic and Turkic motifs. The most prominent example is the Bakhchysarai Palace, the former capital of the Crimean Khanate. This palace, which served as a political and cultural center, is the world's only preserved example of Crimean Tatar palace architecture. After the so called "russian federation" annexation of Crimea and the subsequent deportations in 1944, much of the Crimean Tatar cultural heritage was destroyed. However, artists and activists have been working to revive and preserve Crimean Tatar arts and traditions.
    The interior of the "Tomb of Mithridates, near the Lazaretto of Kerch" renamed as "Royal Kurgan" by you know who, a monumental burial mound located in Kerch, Crimea
    The interior of the "Tomb of Mithridates, near the Lazaretto of Kerch" renamed as "Royal Kurgan" by you know who, a monumental burial mound located in Kerch, CrimeaThe engraving is titled "Tomb of Mithridates, near the Lazaretto of Kerch", reflecting the historical and archaeological context of the time it was created. It's a lithograph, a type of printmaking, rather than a painting.
    Kerch, seen from the high road to Eni-Kale
    Kerch, seen from the high road to Eni-KaleA view of the city of Kerch, a port city in Crimea, seen from a high road that leads to the Yenikale Fortress. In the image, there are ships in the harbor, a city with buildings at the foot of a mountain, and people and horse-drawn carriages on the road in the foreground. The artwork is a color lithograph and is part of an album called "Views of Crimea
    Kerch Bay from Mount Mithridates
    Kerch Bay from Mount MithridatesThe painting depicts a panoramic view of the Gulf of Kerch and the city of Kerch, located on the Crimean Peninsula, as seen from the top of Mount Mithridates. The scene includes the city with its harbor and ships, a church-like structure on a hillside, and a few figures with sheep in the foreground.
    View of Karasubazar ( Bilohirsk )
    View of Karasubazar ( Bilohirsk )The work depicts a scenic view of the city of Karasubazar (now Bilohirsk) in the Caucasus region, with a focus on the bustling activity and vibrant culture of the area in the 19th century. The city was an important center of the Crimean Khanate. The painting captures a general view of the city, showing its buildings and the surrounding landscape with hills and mountains.
    Tartars Travelling on the Plains
    Tartars Travelling on the PlainsA caravan of Crimean Tatars traveling across a plain, possibly in the region of Crimea. The caravan includes both a horse-drawn carriage and camels, along with people on horseback.
    The Khan's Palace in Bakhchisarai
    The Khan's Palace in BakhchisaraiKhan's Palace in Bakhchysarai on the Crimean Peninsula. The scene shows a bustling street with people, buildings with Ottoman-style architecture, and minarets in the background.
    Crimean Tatar Dance
    Crimean Tatar DanceThe painting depicts a celebration with Crimean Tatars in Massandra, Crimea. In the scene, people are shown dancing and gathering in a village setting with a large tree at the center, mountains, and a body of water in the background. The figures are dressed in traditional clothing. Some are actively dancing in a circle, while others are seated and observing the event.
    View of Yalta
    View of YaltaThe artwork depicts a view of the southern Crimean town of Yalta from the sea, showing the town nestled in a valley with a church on a hill, surrounded by mountains. In the foreground, two rowboats are on the water, with larger sailing ships anchored in the bay.
    Yevpatoriia (also known as Eupatoria)
    Yevpatoriia (also known as Eupatoria) The piece depicts a peaceful beach scene in the western Crimea. The painting is one of 52 illustrations of the Crimean Peninsula by the artist and was published in a book titled The Beautiful Scenery and Chief Places of Interest Throughout the Crimea. The scene shows a bustling beach with buildings lining the shore, including a mosque with a domed roof and a prominent white building with a columned facade. There are people and children playing on the sand and in the shallow water, while a few sailing ships are anchored in the bay.
    The costumes for the film Aelita: Queen of Mars were designed by the notable Cubo-Futurist painter and Ukrainian avant-garde artist, Olexandra Exter.
    The costumes for the film Aelita: Queen of Mars were designed by the notable Cubo-Futurist painter and Ukrainian avant-garde artist, Olexandra Exter.
    Serge Lifar, ‘élévation’
    Serge Lifar, ‘élévation’The image depicts the dancer and choreographer Serge Lifar performing a jump, referred to as an "élévation," while a female dancer lies on the deck of what appears to be a ship. The photo was featured in the 1934 book Destin d'un Danseur.
    Georges Lepape’s “Simultaneous” Vogue Cover, "Simultaneous" dress designed by artist Sonia Delaunay.
    Georges Lepape’s “Simultaneous” Vogue Cover, "Simultaneous" dress designed by artist Sonia Delaunay. Vogue magazine from Late January 1925, featuring a work by French illustrator Georges Lepape. The illustration depicts a woman in a geometric, colorful outfit standing next to a car with a similar pattern. The dress is a "Simultaneous" dress designed by artist Sonia Delaunay.
    Сoncrete relief on the stairs in the interior of the "Dnipro" sanatorium (now known as Druzhba) in Yevpatoria, Crimea.
    Сoncrete relief on the stairs in the interior of the "Dnipro" sanatorium (now known as Druzhba) in Yevpatoria, Crimea. The artwork was created by Ukrainian artist Ernest Kotkov in the early 1980s.
    Anna Sten in Nana (1934), dark room
    Anna Sten in Nana (1934), dark room
    Anna Sten in Nana (1934)
    Anna Sten in Nana (1934)
    In the Pub
    In the Pubdrawing by the Ukrainian artist and poet Taras Shevchenko. The work is a sepia drawing on paper. Taras Shevchenko was a significant figure in Ukrainian literature and art, known for his poetry and his role in the Ukrainian national revival. He created a large body of artwork, including portraits, landscapes, and compositions on various themes, using different mediums. The image depicts three men in a room, with one man standing shirtless and holding a paper, while the other two are seated.
    Page from the Peresopnytsia Gospel, an illuminated manuscript of the four Gospels of the New Testament that is considered a significant cultural artifact of Ukraine.
    Page from the Peresopnytsia Gospel, an illuminated manuscript of the four Gospels of the New Testament that is considered a significant cultural artifact of Ukraine.
    Robinson Crusoe by Taras Shevchenko
    Robinson Crusoe by Taras ShevchenkoThis drawing is an illustration of the literary character Robinson Crusoe, created in 1856 by the Ukrainian artist and writer Taras Shevchenko. The artwork is done on paper using sepia and bistre and is part of the collection at the Taras Shevchenko National Museum in Kyiv, Ukraine. Shevchenko was known to have a high appreciation for Daniel Defoe and his novel "Robinson Crusoe," and even advised both children and adults to read the book. The drawing shows Crusoe, depicted with long hair and a hat, seated in a cave and reading a book. A goat can be seen behind him. The work was created during Shevchenko's exile, a period in which he was forbidden from writing or drawing. The artist was a prominent figure of the Ukrainian national revival.
    Mykola Murashko portrait
    Mykola Murashko portrait
    Cathedral of the Pochaiv Lavra (interior view)
    Cathedral of the Pochaiv Lavra (interior view)The painting was created in 1846 during Shevchenko's trip to Volhynia, where he was a member of the Archeographic Commission. It depicts the interior of the Assumption Cathedral, which is part of the Pochaiv Lavra monastery in Ukraine. The Pochaiv Lavra is one of the most revered and largest shrines in Ukraine.
    Ukrainian Refugee American Style
    Ukrainian Refugee American Style
    Portrait of singer L.A. Delmas (1908-1909) by Ukrainian artist Oleksandr Murashko.
    Portrait of singer L.A. Delmas (1908-1909) by Ukrainian artist Oleksandr Murashko.
    Taras Shevchenko and a Kazakh Boy Playing with a Cat
    Taras Shevchenko and a Kazakh Boy Playing with a CatSepia drawing by the Ukrainian artist and poet Taras Shevchenko, created between 1856 and 1857. The artwork depicts Shevchenko in the background, observing a Kazakh boy in the foreground who is playing with a cat. The drawing was made while Shevchenko was in exile at Novopetrovsk fortress (now Fort Shevchenko in Kazakhstan) on the Mangyshlak Peninsula. During his ten years in exile, he was officially forbidden from writing or painting. However, he continued his artistic work secretly with the support of friendly locals and his friends. He was assigned to a geological expedition, which provided him with opportunities to sketch. The drawing is in the collection of the National Museum of Taras Shevchenko in Kyiv, Ukraine.
    In Kachanivka, at the Tarnovsky Estate
    In Kachanivka, at the Tarnovsky EstateIn Kachanovka, at the Tarnovsky Estate is an oil painting by the Ukrainian painter Vasily Sternberg, created in 1838. The painting depicts Russian composer Mikhail Glinka working on his opera Ruslan and Ludmila in the study of the Tarnovsky estate. Also in the image are the Ukrainian artist Vasily Sternberg, who is seen drawing at an easel, and the Ukrainian historian Nikolai Markevich, seated at the table with Glinka. The estate itself, located in Kachanivka, Ukraine, was a well-known cultural center that attracted many artists and writers, including Ilya Repin and Taras Shevchenko.
    Vasyl Tarnovsky Portrait
    Vasyl Tarnovsky PortraitPortrait of Vasyl Vasylovych Tarnovsky, a prominent Ukrainian public figure, patron of the arts, and collector of Ukrainian antiquities from the second half of the 19th century. His collection formed the basis of the Chernihiv Historical Museum named after him. He is also known for posing for the artist Ilya Repin for the painting "Reply of the Zaporozhian Cossacks".
    Vasyl Yermylov
    Vasyl Yermylov
    Portrait of the artist Margit Selska. 1930s. Photo by Oleksandr Krzywoblotsky
    Portrait of the artist Margit Selska. 1930s. Photo by Oleksandr Krzywoblotsky
    Epifanij Drowniak
    Epifanij DrowniakNikifor Drovniak (real name Epifany Drovniak) was a Ukrainian primitivist artist of Lemko origin, born on May 21, 1895 in the city of Krynica (now Krynica-Zdrój, Poland) and died on October 10, 1968 in Folusz. His life was full of difficulties: he had speech and hearing impairments, lived in poverty and loneliness, and was often considered mentally ill. Despite this, Nikifor created over 40 thousand works, mostly watercolors, on paper, cardboard, notebook covers, and other improvised materials.   His work includes self-portraits, landscapes of Krynica, and images of churches and city panoramas. In the 1930s, his works were discovered by Ukrainian artist Roman Turin, who presented them in Paris, which brought Nikifor some recognition among artists. However, real recognition came only in the 1960s thanks to the support of the Polish artist Marian Włosinski, who organized exhibitions of his works in Warsaw and other cities.  After Nikifor's death, his legacy was preserved, and today
    Interior of the mansion of Bohdan and Varvara Khanenko.
    Interior of the mansion of Bohdan and Varvara Khanenko.
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    Rest
    Modest Menczynski - Lohenrin in the opera Lohenrin > by Richard Wagner. 1909
    Modest Menczynski - Lohenrin in the opera Lohenrin > by Richard Wagner. 1909
    Mentsynskyi Modest Omelyanovich
    Mentsynskyi Modest Omelyanovich
    Ukrainian Princess Olga
    Ukrainian Princess Olga
    Marie Bashkyrtseff a star artist of Paris
    Marie Bashkyrtseff a star artist of Paris Maria Bashkirtseff gained popularity in Paris in the 1880s thanks to her realist painting "The Meeting," which was exhibited at the Paris Salon. She became the first woman to have her works displayed in the Louvre after her death in 1884 and the publication of her diary in 1887, solidifying her as a