Participants of the Kurultai. In the center are representatives of the Bakhchisarai Muslim Organization led by Sh. Gasprinskaya.
Bride's room. Exposition of the National Museum of the Crimean Tatars, 1920's (Bakhchysarai)
Kapskhor in Crimea: Evening Occupations of the Tatars
Crimean Tatar Ornek
Crimean Tatar women
Crimean Tatar cemetery in Bakhchysarai. Photo source: Holos Krymu newspaper.
The village of Uskut after the deportation of the Crimean Tatars, 1945.
Deported Crimean Tatars in a special settlement in the city of Krasnovishersk (now in Perm Krai, Russia), 1948. Photo source: Association of Muslims of Ukraine.
The signing of the Kuchuk-Kainarji Treaty, an engraving from the late 18th century.
Crimean Tatar Father with Daughters in Traditional Dress
Crimean Tatar Woman in Traditional Dress with Tea
Crimean Tatar Women in Traditional Dress
Family photo of a Crimean Tatar family
Crimean Tatars on the shores of Crimea
Evening Conversation in a Crimean Tatar Home
Family Gathering in a Crimean Tatar Home, Late 19th Century
On the left is a Nogai Tatar, on the right is a Crimean Tatar.
Tatar Children's School
Snake Island by Carlo Bossoli.The painting depicts a stormy sea with a ship, possibly HMS Victory, and a smaller vessel near an island.
The island, historically known as the "Island of Achilles," is located in the Black Sea.
The painting is a public domain work of art.
General View of SevastopolCarlo Bossoli was an Italian-Swiss artist known for his detailed landscapes and battle scenes.
The work depicts the city and harbor of Sevastopol, a strategic Black Sea port.
Bossoli created a series of lithographs based on his travels through Crimea in the 1840s.
The image captures Sevastopol shortly after the Crimean War, which concluded in 1856, and shows the destruction from the siege that lasted from October 1854 to September 1855.
Bakhchysarai, the former capital of the Crimean KhanateThe painting depicts the Bakhchysarai Palace (also known as Khan's Palace or Hansaray), a 16th-century architectural complex that served as the residence of a succession of Crimean Khans. Built in 1532 by Sahib I Giray, it is considered the only preserved example of Crimean Tatar palace architecture in the world.
The palace complex was built with a blend of Ottoman, Persian, and Italian architectural styles. It originally included a mosque, a harem, a cemetery, living quarters, and gardens. The palace's famous "Fountain of Tears" was the subject of a narrative poem by Russian writer Alexander Pushkin.
A Tartar House in the Village of AlupkaThe Crimean Tatar people have a rich cultural history, with their architecture showing influences from Islamic and Turkic motifs. The most prominent example is the Bakhchysarai Palace, the former capital of the Crimean Khanate. This palace, which served as a political and cultural center, is the world's only preserved example of Crimean Tatar palace architecture.
After the so called "russian federation" annexation of Crimea and the subsequent deportations in 1944, much of the Crimean Tatar cultural heritage was destroyed. However, artists and activists have been working to revive and preserve Crimean Tatar arts and traditions.
The interior of the "Tomb of Mithridates, near the Lazaretto of Kerch" renamed as "Royal Kurgan" by you know who, a monumental burial mound located in Kerch, CrimeaThe engraving is titled "Tomb of Mithridates, near the Lazaretto of Kerch", reflecting the historical and archaeological context of the time it was created. It's a lithograph, a type of printmaking, rather than a painting.
Kerch, seen from the high road to Eni-KaleA view of the city of Kerch, a port city in Crimea, seen from a high road that leads to the Yenikale Fortress. In the image, there are ships in the harbor, a city with buildings at the foot of a mountain, and people and horse-drawn carriages on the road in the foreground. The artwork is a color lithograph and is part of an album called "Views of Crimea
Kerch Bay from Mount MithridatesThe painting depicts a panoramic view of the Gulf of Kerch and the city of Kerch, located on the Crimean Peninsula, as seen from the top of Mount Mithridates. The scene includes the city with its harbor and ships, a church-like structure on a hillside, and a few figures with sheep in the foreground.
View of Karasubazar ( Bilohirsk )The work depicts a scenic view of the city of Karasubazar (now Bilohirsk) in the Caucasus region, with a focus on the bustling activity and vibrant culture of the area in the 19th century. The city was an important center of the Crimean Khanate. The painting captures a general view of the city, showing its buildings and the surrounding landscape with hills and mountains.
Tartars Travelling on the PlainsA caravan of Crimean Tatars traveling across a plain, possibly in the region of Crimea. The caravan includes both a horse-drawn carriage and camels, along with people on horseback.
The Khan's Palace in BakhchisaraiKhan's Palace in Bakhchysarai on the Crimean Peninsula. The scene shows a bustling street with people, buildings with Ottoman-style architecture, and minarets in the background.
Interior of an Early Christian Church. A scene from the Inkerman Cave Monastery in CrimeaThe Inkerman Cave Monastery is a cave monastery located in a cliff near the mouth of the Black River in Sevastopol, Crimea.
The monastery was originally founded around the 6th century.
The image shows a group of people and goats inside the caves, with a view of the landscape outside through the archways.
The monastery was closed in 1931 and reopened in 1991, and is currently occupied by so called russian federation.
Crimean Tatar DanceThe painting depicts a celebration with Crimean Tatars in Massandra, Crimea. In the scene, people are shown dancing and gathering in a village setting with a large tree at the center, mountains, and a body of water in the background. The figures are dressed in traditional clothing. Some are actively dancing in a circle, while others are seated and observing the event.
View of YaltaThe artwork depicts a view of the southern Crimean town of Yalta from the sea, showing the town nestled in a valley with a church on a hill, surrounded by mountains. In the foreground, two rowboats are on the water, with larger sailing ships anchored in the bay.
Yevpatoriia (also known as Eupatoria) The piece depicts a peaceful beach scene in the western Crimea. The painting is one of 52 illustrations of the Crimean Peninsula by the artist and was published in a book titled The Beautiful Scenery and Chief Places of Interest Throughout the Crimea. The scene shows a bustling beach with buildings lining the shore, including a mosque with a domed roof and a prominent white building with a columned facade. There are people and children playing on the sand and in the shallow water, while a few sailing ships are anchored in the bay.
Сoncrete relief on the stairs in the interior of the "Dnipro" sanatorium (now known as Druzhba) in Yevpatoria, Crimea. The artwork was created by Ukrainian artist Ernest Kotkov in the early 1980s.
Tatar village on the southern coast of Crimea in the moonlightLost Arkhip Kuindzhi's
painting "A Tatar Village on Crimea’s South Coast by Moonlight" is back to life.
Ivan AjvazovskijAivazovsky was most successful in seascapes. And since 1844, he was even an artist of the naval staff. However, Aivazovsky painted canvases not only on marine themes. Among his other series of paintings: Caucasian, Ukrainian landscapes, Armenian history, Crimean War.
