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Sonia Delaunay
1918
Sonia Delaunay Costume for Cleopatra
Author:
Sonia Delaunay
Medium:
Genre:
Style:
Original:
All rights reserved
Restoration:
All rights reserved
silk
Design
Orphism
A wedding ceremony is immortalized in a print found in Fedir Vovk's personal archive.
Ukrainian peasants in the Kyiv region in the late 1800s or early 1900s
Ukrainian refugee - american style
Nudie Cohn and Elvis Presley
Nudie Cohn designed Elvis' famous gold suit featured on the album cover of "50,000,000 Elvis Fans Can't Be Wrong."
Nudie Cohn and Roy Rogers
Nudie Cohn and Gram Parsons in his Flying Burrito Brothers Nudie suit
As the 1960's were winding down, Nudie Cohn's career took on a new dimension when he made a suit for Gram Parsons. An article by Elyssa East in the Oxford American magazine provides some details about the creation of Nudie's most renowned suit: “The 1960s were coming to a close when rising country rock musician Gram Parsons posed next to Nudie Cohn, the celebrated Western-wear designer more than three times his senior. Raeanne Rubenstein shot their portrait for Show: The Magazine of the Arts at Nudie’s Los Angeles workshop. Over a smooth bare chest and midriff, the twenty-something Parsons wore the suit Nudie designed for him for the cover of the Flying Burrito Brothers’ debut album, The Gilded Palace of Sin. Made of white cavalry twill, it was embroidered with crudely ren
10s
Olga Adrianivna Prakhova in the "Mac" costume and Laura Arthurivna Dugottier in the "Vesta" costume.
Photo by Franz de Meser. Documentary and archival fund of the National Art Museum of Ukraine. F. 17 (Mykola Murashka Foundation). Unit coll. 3. Ark. 219
Berezil Museum
During the winter 1924-1925 season, Berezil received the premises of the V. Lenin Theater (former M. Solovtsov Theater). The museum exhibition was displayed in three rooms in the foyer. Berezil staff gave tours and continued to put together the collection of the Theater Museum, which from the beginning was planned as an all-Ukrainian museum.
The cover of the monthly "Novi Dni" with Roma Pryima-Bogachevska
Hollywood conqueror Roma Pryima-Bogachevska
Lviv star in America - Roma Pryima-Bogachevska
The exquisite outfit of Roma Pryima-Bogachevsky
Roma Pryima-Bogachevska in an exotic oriental outfit
Lady Butterfly, Solomiia Krushelnytska in character
Mykola Karpovych Sadovskij
Ukrainian actor, one of the ideologues of the Ukrainian household theater
Krushelnytska in a hat with feathers
Krushelnytska in a costume with a wig
Krushelnytska with a friend
Solomiya Krushelnytska in Madame Butterfly costume
Solomiia Krushelnytska as Madama Butterfly
A scene from the play "Hello on the Wave 477!" - A scene from the play. "Infernal action with Ostap Vishnya"
Act 3. Scene 3.. Beelzebub – Mytrofan Kononenko, Ostap Vyshnia – Oleksandr Khvylia
A scene from the play "Hello on the Wave 477!". Act 3. Scene 3. "Infernal action with Ostap Vyshnia"
Owls – I. Bilashenko, Lidia Krynytska, Klavdia Pilinska, Witch – Mykola Savchenko, Ostap Vyshnya – Oleksandr Khvyla
Action 1. Part II "Kaloshi No. 13" (advertising poster)
A scene from the play. Chudak - Dmytro Milyutenko, Bearers - Tamara Zhevchenko, Olga Pigulovich
Berezil theater actors in cabinet
Les Kurbas offered Ukrainians a new theater, which he called philosophical. This theater forced to think - and this in the conditions when the "Soviet" winners gave the people a beautiful picture, urging them to believe in it.
Ivan Alchevskij
Ukrainian singer (lyric tenor), public figure; organizer, head of the Ukrainian literary and artistic society "Kobzar". He studied singing with his older brother Grigory, then in Paris and Brussels.
True Ukrainian family
Strangers from Zalishchyky
Mark Lukych-Kropivnickij
Marko Lukich Kropyvnytskyi (1840-1910) is one of the founders of the Ukrainian professional theater, writer, playwright, theater director and actor.
Hello, This Is Radio 477!
Scene from the show. Act 1. Part 2. “Galoshes № 13” (advertising poster)
Precious jewelry for a Ukrainian woman
Ukrainian jewellery has always performed two functions — protective and informative. Amulets and ritual ornaments were worn only on the body - wedding rings, bracelets and crosses. Well, those that were worn over clothes spoke eloquently about the owner's wealth.