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    Ernest Kotkov 1980-thYevpatoria

    Сoncrete relief on the stairs in the interior of the "Dnipro" sanatorium (now known as Druzhba) in Yevpatoria, Crimea.

    The artwork was created by Ukrainian artist Ernest Kotkov in the early 1980s.

    Author:Place: YevpatoriaOriginal: All rights reservedRestoration: All rights reserved
    Ernest Kotkov
    Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.
    Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.
    Band New Order performing live in New York in 1981 at the Ukrainian National Home
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    Snake Island by Carlo Bossoli.
    Snake Island by Carlo Bossoli.The painting depicts a stormy sea with a ship, possibly HMS Victory, and a smaller vessel near an island. The island, historically known as the "Island of Achilles," is located in the Black Sea. The painting is a public domain work of art.
    General View of Sevastopol
    General View of SevastopolCarlo Bossoli was an Italian-Swiss artist known for his detailed landscapes and battle scenes. The work depicts the city and harbor of Sevastopol, a strategic Black Sea port. Bossoli created a series of lithographs based on his travels through Crimea in the 1840s. The image captures Sevastopol shortly after the Crimean War, which concluded in 1856, and shows the destruction from the siege that lasted from October 1854 to September 1855.
    Bakhchysarai, the former capital of the Crimean Khanate
    Bakhchysarai, the former capital of the Crimean KhanateThe painting depicts the Bakhchysarai Palace (also known as Khan's Palace or Hansaray), a 16th-century architectural complex that served as the residence of a succession of Crimean Khans. Built in 1532 by Sahib I Giray, it is considered the only preserved example of Crimean Tatar palace architecture in the world. The palace complex was built with a blend of Ottoman, Persian, and Italian architectural styles. It originally included a mosque, a harem, a cemetery, living quarters, and gardens. The palace's famous "Fountain of Tears" was the subject of a narrative poem by Russian writer Alexander Pushkin.
    A Tartar House in the Village of Alupka
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    The interior of the "Tomb of Mithridates, near the Lazaretto of Kerch" renamed as "Royal Kurgan" by you know who, a monumental burial mound located in Kerch, Crimea
    The interior of the "Tomb of Mithridates, near the Lazaretto of Kerch" renamed as "Royal Kurgan" by you know who, a monumental burial mound located in Kerch, CrimeaThe engraving is titled "Tomb of Mithridates, near the Lazaretto of Kerch", reflecting the historical and archaeological context of the time it was created. It's a lithograph, a type of printmaking, rather than a painting.
    Kerch, seen from the high road to Eni-Kale
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    Kerch Bay from Mount Mithridates
    Kerch Bay from Mount MithridatesThe painting depicts a panoramic view of the Gulf of Kerch and the city of Kerch, located on the Crimean Peninsula, as seen from the top of Mount Mithridates. The scene includes the city with its harbor and ships, a church-like structure on a hillside, and a few figures with sheep in the foreground.
    View of Karasubazar ( Bilohirsk )
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    Village houses in Ukraine in the late 1800s or early 1900s
    Village houses in Ukraine in the late 1800s or early 1900s
    Tartars Travelling on the Plains
    Tartars Travelling on the PlainsA caravan of Crimean Tatars traveling across a plain, possibly in the region of Crimea. The caravan includes both a horse-drawn carriage and camels, along with people on horseback.
    The Khan's Palace in Bakhchisarai
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    Interior of an Early Christian Church. A scene from the Inkerman Cave Monastery in Crimea
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    Crimean Tatar Dance
    Crimean Tatar DanceThe painting depicts a celebration with Crimean Tatars in Massandra, Crimea. In the scene, people are shown dancing and gathering in a village setting with a large tree at the center, mountains, and a body of water in the background. The figures are dressed in traditional clothing. Some are actively dancing in a circle, while others are seated and observing the event.
    View of Yalta
    View of YaltaThe artwork depicts a view of the southern Crimean town of Yalta from the sea, showing the town nestled in a valley with a church on a hill, surrounded by mountains. In the foreground, two rowboats are on the water, with larger sailing ships anchored in the bay.
    Yevpatoriia (also known as Eupatoria)
    Yevpatoriia (also known as Eupatoria) The piece depicts a peaceful beach scene in the western Crimea. The painting is one of 52 illustrations of the Crimean Peninsula by the artist and was published in a book titled The Beautiful Scenery and Chief Places of Interest Throughout the Crimea. The scene shows a bustling beach with buildings lining the shore, including a mosque with a domed roof and a prominent white building with a columned facade. There are people and children playing on the sand and in the shallow water, while a few sailing ships are anchored in the bay.
    The costumes for the film Aelita: Queen of Mars were designed by the notable Cubo-Futurist painter and Ukrainian avant-garde artist, Olexandra Exter.
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    Serge Lifar, ‘élévation’
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    Georges Lepape’s “Simultaneous” Vogue Cover, "Simultaneous" dress designed by artist Sonia Delaunay.
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    Anna Sten in Nana (1934), dark room
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    In the Pub
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    Page from the Peresopnytsia Gospel, an illuminated manuscript of the four Gospels of the New Testament that is considered a significant cultural artifact of Ukraine.
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    Mykola Murashko portrait
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    Cathedral of the Pochaiv Lavra (interior view)
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    Portrait of singer L.A. Delmas (1908-1909) by Ukrainian artist Oleksandr Murashko.
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    Szewczenko School (Shevchenko School). Vita. Canada. 1921. Oseredok
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    Views of Odessa. [Album]. View of the Pokrovsk Church and Aleksandrovsky Avenue. Mid-1850s.
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    Odesa. Boulevard. Monument to Duke Richelieu. Late 1870s.
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    Odesa. View taken from the small pier. 1850s.
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    Odesa. Quarantine. Mid-1850s.
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    Vasyl Yermylov
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    Portrait of the artist Margit Selska. 1930s. Photo by Oleksandr Krzywoblotsky
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    The competitive project presented by the Museum of Antiquities and Arts. The main facade.
    The competitive project presented by the Museum of Antiquities and Arts. The main facade.