Street in Southern France, 1970s

Peppers, 1963Still life with green peppers and a jug. Gouache and ink on paper, 1963.

Cover of a book by Mykola Veres, London, 1967Cover of a book by Mykola Veres (London, 1967): a seaside town and a sailing boat, burgundy print and hand lettering.

Still life, 1962Still life with fruit in a footed bowl, high-contrast black-and-white drawing. Ink on paper, 1962.

London houses, 1953Urban drawing of London houses and facades. Ink on paper, 1953.

Cover of Leonid Poltava's book Ukrainski baliady, 1952Cover of Leonid Poltava's book Ukrainski baliady (Paris, 1952): a stylised stork in an ornamental knot, printed in burgundy.

Cover of Oleh Olzhych's collection Vezhi, 1937Cover of Oleh Olzhych's poetry collection Vezhi (Prague, 1937): a knight with a sword before a tower and a trident, with heraldic shields.

Cover of Ivan Irliavskyi's book Holos sribnoi zemli, 1930sCover of Ivan Irliavskyi's poetry book Holos sribnoi zemli (Prague, 1930s): a girl in folk dress reaches toward the sun beside a wooden church.

Graphic composition, 1930sBlack-and-white graphic composition: a leaping animal above waves and a sun. 1930s.

Wooden church in the Carpathians, 1930sA wooden church with domes against the mountains, near cemetery crosses. Watercolour on paper, 1930s.

Cover of Jean Renard's novella Borotba z trupom, 1927Cover of the Ukrainian edition of Jean Renard's novella Borotba z trupom (Lviv, 1927): three stylised faces with closed eyes in line and stipple.

Church in Svaliava, 1934A wooden Transcarpathian church in Svaliava among trees. Watercolour on paper, 1934.

Cover of the magazine Moloda Ukraina, 1923Cover of the magazine Moloda Ukraina (Lviv, 1923) in the national neo-style of the Narbut school: Archangel Michael among coats of arms, a cogwheel and sheaves, with the title in an ornamental frame.

Cover of the book Shliakh veletniv, Lviv, 1924Black-and-white graphic cover of the book Shliakh veletniv (Lviv, 1924): rocky castle ruins above the sea, birds and figures on the cliff edge.

Asters, 1925Still life with asters in a blue vase on a patterned cloth. Watercolour on paper, 1925.

Landscape at TaversThe original title is Paysage à Tavers. Tavers is a small town on the Loire.

LandscapePost-war Paris. By then Khmeliuk had been living in France for twenty years.

ChateauThe French provinces seen by a man who arrived here from the Ukrainian war of independence of 1917–1920.

The Seine Embankment. ParisAfter America he came back to the same water he had painted twenty-one years earlier.

Brittany. FranceThe first years after the war — the point at which the Ukrainian emigration understood for good that there would be no going back.

The Outskirts of ParisNot the tourists' Paris but its edges — what a person who lives there sees, rather than one who is visiting.

The Seine Embankment. ParisThe Seine would be Krychevsky's principal subject for twenty-five years; he painted it in any weather.

A Courtyard in ProvenceKrychevsky's third year in Paris. The south of France would become one of the standing routes of his life.

Greatest male dancer of the early 20th century Vaslav NijinskyUkrainian ballet dancer of Polish origin, an outstanding dancer and choreographer of the Sergei Diaghilev star troupe in "Le Dieu bleu".