Cover of Leonid Poltava's book Ukrainski baliady, 1952

Street in Southern France, 1970sA narrow street with steps and arches in a southern French town. Watercolour on paper, 1970s.

Peppers, 1963Still life with green peppers and a jug. Gouache and ink on paper, 1963.

Cover of a book by Mykola Veres, London, 1967Cover of a book by Mykola Veres (London, 1967): a seaside town and a sailing boat, burgundy print and hand lettering.

Still life, 1962Still life with fruit in a footed bowl, high-contrast black-and-white drawing. Ink on paper, 1962.

London houses, 1953Urban drawing of London houses and facades. Ink on paper, 1953.

Cover of Oleh Olzhych's collection Vezhi, 1937Cover of Oleh Olzhych's poetry collection Vezhi (Prague, 1937): a knight with a sword before a tower and a trident, with heraldic shields.

Cover of Ivan Irliavskyi's book Holos sribnoi zemli, 1930sCover of Ivan Irliavskyi's poetry book Holos sribnoi zemli (Prague, 1930s): a girl in folk dress reaches toward the sun beside a wooden church.

Graphic composition, 1930sBlack-and-white graphic composition: a leaping animal above waves and a sun. 1930s.

Wooden church in the Carpathians, 1930sA wooden church with domes against the mountains, near cemetery crosses. Watercolour on paper, 1930s.

Cover of Jean Renard's novella Borotba z trupom, 1927Cover of the Ukrainian edition of Jean Renard's novella Borotba z trupom (Lviv, 1927): three stylised faces with closed eyes in line and stipple.

Church in Svaliava, 1934A wooden Transcarpathian church in Svaliava among trees. Watercolour on paper, 1934.

Cover of the magazine Moloda Ukraina, 1923Cover of the magazine Moloda Ukraina (Lviv, 1923) in the national neo-style of the Narbut school: Archangel Michael among coats of arms, a cogwheel and sheaves, with the title in an ornamental frame.

Cover of the book Shliakh veletniv, Lviv, 1924Black-and-white graphic cover of the book Shliakh veletniv (Lviv, 1924): rocky castle ruins above the sea, birds and figures on the cliff edge.

Asters, 1925Still life with asters in a blue vase on a patterned cloth. Watercolour on paper, 1925.

Mykyta Shapoval in New York, 1927Mykyta Shapoval in a bowler hat and overcoat, with a walking stick, on a terrace with a palm. Handwritten on the photo: “New-York. March–April 1927”. From the Central State Archive of Supreme Bodies of Power of Ukraine (TsDAVO).

Olha and Mykyta Shapoval. Prague, 1922Studio portrait of Mykyta Shapoval and his wife Olha in winter clothes: fur hats, a muff, Olha wears a pince-nez. Prague, 1922 — the year Shapoval founded the Ukrainian Civic Committee in Czechoslovakia. From the Central State Archive of Supreme Bodies of Power of Ukraine (TsDAVO).

Cover of the collection Kniazha emal, 1941Cover of Oksana Liaturynska's poetry collection Kniazha emal (Prague, 1941), with an ornament in the style of old Rus enamel: a beast among plant motifs in green and red on a cream ground.

Group on a viewing terraceA group of young people poses on a stone viewing terrace. From the Prague Ukrainian émigré circle connected with Oksana Liaturynska. Interwar period; the people are not identified.

Prague émigrés on an outingA group of young people on a rocky slope during an outing. From the circle of the Ukrainian emigration in Prague, where Oksana Liaturynska lived. Interwar period; the people are not identified.

Sofiia Rusova in a wicker chairSofiia Rusova sits in a wicker chair next to a house with shutters. Photo from the archive of the Sofiia Rusova Charitable Foundation. Date and place are not established; probably the Prague period (1920s–1930s).

Oleksandr Kolessa, 1937Portrait of the literary scholar and linguist Oleksandr Kolessa, 24 May 1937. Kolessa lived in Prague from 1921; as the first rector of the Ukrainian Free University in Prague he opened it with an inaugural lecture on 23 October 1921. Source: Wikimedia Commons.

Oksana LiaturynskaPortrait of the poet and sculptor Oksana Liaturynska. From 1924 she lived in Prague, studied at the Ukrainian Studio of Plastic Arts, and her collections Husla (1938) and Kniazha emal (1941) appeared there. The exact date of the photograph is unknown. Source: Wikimedia Commons.

Avhustyn Voloshyn, portraitPortrait of Avhustyn Voloshyn, a Greek Catholic priest, prime minister of the autonomous government and president of Carpatho-Ukraine. After the Hungarian occupation of 1939 he lived in Prague and worked at the Ukrainian Free University; in May 1945 he was arrested in Prague. The date of the photo is unknown. Source: Wikimedia Commons.

Sofiia Rusova, 1934Sofiia Rusova in 1934, during her Prague years. From 1923 she lived in Prague, taught pedagogy at the Drahomanov Institute and headed the National Council of Ukrainian Women. Source: Wikimedia Commons.

Ivan Kulets. Woman, before 1940Portrait of a woman by Ivan Kulets (Jan Kulec), a Ukrainian painter from Galicia who stayed in Prague after the First World War. Kulets taught at the Ukrainian Studio of Plastic Arts in Prague; in 1932 the studio was registered in his name. The painting is dated before 1940. Source: Wikimedia Commons.

Mykyta Shapoval, 1920sPortrait of Mykyta Shapoval, a member of the Central Rada and a leader of the Ukrainian emigration in Czechoslovakia. The photo is dated to the 1920s, when Shapoval headed the Ukrainian Civic Committee in Prague, which founded the Ukrainian Husbandry Academy in Poděbrady. Source: Wikimedia Commons.

The Seine Embankment. ParisAfter America he came back to the same water he had painted twenty-one years earlier.

The Outskirts of ParisNot the tourists' Paris but its edges — what a person who lives there sees, rather than one who is visiting.

The Seine Embankment. ParisThe Seine would be Krychevsky's principal subject for twenty-five years; he painted it in any weather.