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    Studio Portrait of Sofia Yablonska

    Sofia Yablonska Foundation
    Sofia Yablonska Foundation
    Depicted:Sofia YablonskaGenre:Portrait Photography, PhotoOriginal: All rights reservedRestoration: All rights reserved
    Classical Architecture: Modernist House on Rua Bahia
    Classical Architecture: Modernist House on Rua Bahia
    Padre AtanáSio Imigrantes5
    Padre AtanáSio Imigrantes5
    Padre AtanáSio Barracas Dos Imigrantes 1896
    Padre AtanáSio Barracas Dos Imigrantes 1896
    Padre AtanáSio BarracãO Dos Imigrantes
    Padre AtanáSio BarracãO Dos Imigrantes
    Zito Imigrantes Em Senador Correa Machado2
    Zito Imigrantes Em Senador Correa Machado2
    fragment of "Musical Grammar" by M. Dyletsky.
    fragment of "Musical Grammar" by M. Dyletsky.A native of Kyiv, Mykola Dyletsky is called the creator of the Western school of partes music, which gave the world a number of outstanding composers. He wrote the theoretical work “Musical Grammar” — a monument of the Ukrainian Baroque — which was published exactly 350 years ago in Vilna (now Vilnius). In it, Dyletsky explained in detail the technical features of partes singing and composition. And what is important! In this work, he was the first in the world to describe the circle of fifths — as a graphic diagram by which a musician can trace the harmonic connections between all major and minor keys of 12 notes. For composers, this work made it easier to write music. This is really worth paying attention to… The work “The Resurrection Canon” by Mykola Dyletsky. Please listen.
    Young lady Brustura
    Young lady Brustura
    Hutsul in a sheepskin coat
    Hutsul in a sheepskin coat
    Portrait Of A Woman
    Portrait Of A Woman
    Vasyl Domanytskyi, historian, editor, public and political figure.
    Vasyl Domanytskyi, historian, editor, public and political figure.
    Portrait of an unknown woman
    Portrait of an unknown woman
    The Odious Vynnychenko
    The Odious Vynnychenko
    Група українських письменників, що зібрались у Полтаві на відкритті пам’ятника Котляревському
    Група українських письменників, що зібрались у Полтаві на відкритті пам’ятника Котляревському
    Starytskyj
    Starytskyj
    Photo of Alla Horska, end of the 1940s, Odesa, Ukraine. Ukrainian Unofficial.
    Photo of Alla Horska, end of the 1940s, Odesa, Ukraine. Ukrainian Unofficial.
    Portrait of a man
    Portrait of a man
    Portrait of Mrs Morimoto and her son
    Portrait of Mrs Morimoto and her son
    The Old Man and the Dog
    The Old Man and the Dog
    Portrait of a Lady
    Portrait of a Lady
    Portrait of Marie Bashkirtseff
    Portrait of Marie Bashkirtseffabout 1870s
    Portrait of a Woman
    Portrait of a Woman
    At A Book
    At A Book
    Portrait of a Woman Sitting Face to Face, with a Cigarette in Her Right Hand,
    Portrait of a Woman Sitting Face to Face, with a Cigarette in Her Right Hand,Marie Bashkyrtseva, “Portrait of a Woman Sitting Face to Face, with a Cigarette in Her Right Hand” drawing on paper, 24.5 x 18.5 cm, Musée d’Orsay, the work is kept in the Louvre Museum, © Photo: RMN-Grand Palais (Musée d’Orsay) / Michel Hurtado
    Umbrella
    UmbrellaMaria Bashkyrtseva, "Umbrella", 1883, oil on canvas, 93 x 74 cm, Russian Museum, St. Petersburg, © Artepics / Alamy Stock Photos
    Portrait of Countess Dina de Toulouse-Lautrec
    Portrait of Countess Dina de Toulouse-LautrecMarie Bashkirtseff, Portrait of Countess Dina de Toulouse-Lautrec, 1883, pastel, 61 x 50 cm, Musée d’Orsay, © Photo: RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski
    Self-portrait with Palette
    Self-portrait with PaletteMaria Bashkyrtseva, "Self-portrait with Palette", 1883, oil on canvas, 192 x 73 cm, Museum of Fine Arts of Nice, © Collection of Fine Arts / Alamy Stock Photo
    The Sorrow of Nausica
    The Sorrow of NausicaMarie Bashkirtseff, "The Sorrow of Nausica", bronze sculpture, 83 x 23.7 x 23 cm, Musée d'Orsay, © Photo: RMN-Grand Palais (Musée d'Orsay) / Hervé Lewandowski
    Bank and Company Mari Bashkyrtseva Before 1884
    Bank and Company Mari Bashkyrtseva Before 1884Benque & Cie, Marie Bashkyrtseva, in a white dress, standing with her arms folded on her stomach, before 1884, aristotype (citrate print), mounted on cardboard, 19.7 x 12.8 cm, Musée d'Orsay © All rights reserved – Photo Musée d'Orsay / RMN
    he Reader (Portrait of Dina Babanina, a cousin of the artist)
    he Reader (Portrait of Dina Babanina, a cousin of the artist)
    Portrait of a young woman (1878)
    Portrait of a young woman (1878)
    Portrait de Mme X (1884)
    Portrait de Mme X (1884)
    Marie Bashkirtseff’s Sister in law (1881)
    Marie Bashkirtseff’s Sister in law (1881)
    "The Parisian Woman", portrait of Irma, model at the Académie Julian (1882)
    "The Parisian Woman", portrait of Irma, model at the Académie Julian (1882)
    Portrait Of A Young Woman Reading (1880)
    Portrait Of A Young Woman Reading (1880)
    Futurist David Burliuk
    Futurist David Burliuk
    David Burliuk in Japan
    David Burliuk in Japan
    Colonel U.S.S., Vasyl Vyshyvany
    Colonel U.S.S., Vasyl Vyshyvany
    Mykola Zakharovych Levchenko
    Mykola Zakharovych Levchenko
    Sonia Delaunay in Simultaneous dress
    Sonia Delaunay in Simultaneous dress
    Block 37 Proposal, Chicago, Illinois, Perspective
    Block 37 Proposal, Chicago, Illinois, PerspectiveBlock 37, the parcel of land in the heart of Chicago’s Loop bordered by State, Randolph, Dearborn, and Washington Streets has stood idle for years in spite of numerous ideas for the construction of new buildings. The redevelopment of the block was originally conceived by Mayor Richard J. Daley in the 1970s to transform the site of old, inferior, low-rise buildings into new and larger buildings with more intensive uses in keeping with the downtown area. The site has been the object of several unsuccessful attempts at development over the years. Architect Helmut Jahn, working for the joint venture development company FJV, prepared several schemes for the site between 1983 and 1987. All of these plans envisioned a giant atrium that would permit continuous movement of pedestrians throughout the block. The developers’ failure to secure a anchor tenant for the development—along with delays by the City and the worsening economic situation—cast doom on the project.