Portrait of a man

Portrait of Mrs Morimoto and her son

The Old Man and the Dog

Portrait of a Lady

Portrait of Marie Bashkirtseffabout 1870s

Portrait of a Woman

At A Book

Portrait of a Woman Sitting Face to Face, with a Cigarette in Her Right Hand,Marie Bashkyrtseva, “Portrait of a Woman Sitting Face to Face, with a Cigarette in Her Right Hand” drawing on paper, 24.5 x 18.5 cm, Musée d’Orsay, the work is kept in the Louvre Museum, © Photo: RMN-Grand Palais (Musée d’Orsay) / Michel Hurtado

UmbrellaMaria Bashkyrtseva, "Umbrella", 1883, oil on canvas, 93 x 74 cm, Russian Museum, St. Petersburg, © Artepics / Alamy Stock Photos

Portrait of Countess Dina de Toulouse-LautrecMarie Bashkirtseff, Portrait of Countess Dina de Toulouse-Lautrec, 1883, pastel, 61 x 50 cm, Musée d’Orsay, © Photo: RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski

Self-portrait with PaletteMaria Bashkyrtseva, "Self-portrait with Palette", 1883, oil on canvas, 192 x 73 cm, Museum of Fine Arts of Nice, © Collection of Fine Arts / Alamy Stock Photo

The Sorrow of NausicaMarie Bashkirtseff, "The Sorrow of Nausica", bronze sculpture, 83 x 23.7 x 23 cm, Musée d'Orsay, © Photo: RMN-Grand Palais (Musée d'Orsay) / Hervé Lewandowski

Bank and Company Mari Bashkyrtseva Before 1884Benque & Cie, Marie Bashkyrtseva, in a white dress, standing with her arms folded on her stomach, before 1884, aristotype (citrate print), mounted on cardboard, 19.7 x 12.8 cm, Musée d'Orsay © All rights reserved – Photo Musée d'Orsay / RMN

he Reader (Portrait of Dina Babanina, a cousin of the artist)

Portrait of a young woman (1878)

Portrait de Mme X (1884)

Marie Bashkirtseff’s Sister in law (1881)

"The Parisian Woman", portrait of Irma, model at the Académie Julian (1882)

Portrait Of A Young Woman Reading (1880)

Futurist David Burliuk

David Burliuk in Japan

Colonel U.S.S., Vasyl Vyshyvany

Mykola Zakharovych Levchenko

Sonia Delaunay in Simultaneous dress

Block 37 Proposal, Chicago, Illinois, PerspectiveBlock 37, the parcel of land in the heart of Chicago’s Loop bordered by State, Randolph, Dearborn, and Washington Streets has stood idle for years in spite of numerous ideas for the construction of new buildings. The redevelopment of the block was originally conceived by Mayor Richard J. Daley in the 1970s to transform the site of old, inferior, low-rise buildings into new and larger buildings with more intensive uses in keeping with the downtown area. The site has been the object of several unsuccessful attempts at development over the years. Architect Helmut Jahn, working for the joint venture development company FJV, prepared several schemes for the site between 1983 and 1987. All of these plans envisioned a giant atrium that would permit continuous movement of pedestrians throughout the block. The developers’ failure to secure a anchor tenant for the development—along with delays by the City and the worsening economic situation—cast doom on the project.

Portrait of Alla Horska

Oleksandr Bogomazov

Ukrainian Pavilion at the 1933 World's Fair in Chicago.

Parishioners arrived, to protest the changes made to the church calendar in ChicagoBishop Jaroslav Gabro, of the Ukrainian rite of the Roman Catholic Church, was absent from his Oak Park home when parishioners arrived on Jan. 20, 1968, to protest the changes made to the church calendar.

People of Ukrainian descent march at Western and Rice avenues on Oct. 13, 1963, in remembrance of the 30th anniversary of the Holodomor, a famine in Soviet Ukraine that killed millions of Ukrainians.People of Ukrainian descent march at Western and Rice avenues on Oct. 13, 1963, in remembrance of the 30th anniversary of the Holodomor, a famine in Soviet Ukraine that killed millions of Ukrainians.

The anti-Soviet protest of Ukrainians in ChicagoRuslana Zavadovych, 8, displays a sign citing infamous incidents in Ukrainian history, including the Chernobyl nuclear plant disaster and Holodomor, at a Daley Plaza rally on June 9, 1986. The anti-Soviet protest was sponsored by the Ukrainian Congress Committee.

Zino Davidoff, a renowned Ukrainian-Swiss tobacconist and the founder of the Davidoff luxury brandThe photograph shows him standing in front of his cigar shop in Geneva, Switzerland. Zino Davidoff's father, Henri Davidoff, a tobacco merchant, opened a tobacco shop in Geneva in 1911 after the family fled Ukraine. Zino later took over the business and was instrumental in its growth. He is credited with several innovations in the cigar industry, including the invention of the desktop humidor. During World War II, he famously acquired the cigar stock from Paris to protect it from the invading forces, which cemented his reputation as a key figure in the European tobacco trade. The Davidoff brand, now owned by Oettinger Davidoff AG, has expanded beyond cigars to include a range of luxury products such as fragrances, leather goods, and accessories.

Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.

Band New Order performing live in New York in 1981 at the Ukrainian National HomeA New Beginning: This performance was part of New Order’s first U.S. tour, staged a little over a year after Joy Division singer Ian Curtis’s death. It marked a crucial step in the band’s transition and the beginning of their effort to define an identity separate from their previous group. Musical Evolution: On this tour, New Order moved beyond Joy Division’s post‑punk austerity, embracing synthesizers and propulsive rhythms. In New York they unveiled an early, unreleased ten‑minute version of Temptation, drawing rave reviews and cementing their reputation at the forefront of post‑punk. Video Recording: The show—performed in 1981 in New York City—was filmed by Michael Shamberg and later released on VHS as Taras Shevchenko, capturing the band in a raw, transitional phase and becoming a vital document of their early career. The Ukrainian National Home’s name—and the portrait of poet Taras Shevchenko hanging behind the stage—were prominently displayed, underscoring the venue’s cultural co

Two models in Sonia Delaunay's boulevard Malesherbes studioThe photograph depicts two models wearing designs by artist and designer Sonia Delaunay. The outfits are described as beachwear, swimwear, or clothing with geometric patterns. One model holds an umbrella, also designed by Delaunay. The designs are part of the "Simultaneous" line, which reflects Delaunay's artistic theory of using bold, contrasting colors and geometric shapes to create movement and harmony. The clothing was created to suit the real lives of women, allowing for freedom of movement.

Serge Lifar, ‘élévation’The image depicts the dancer and choreographer Serge Lifar performing a jump, referred to as an "élévation," while a female dancer lies on the deck of what appears to be a ship. The photo was featured in the 1934 book Destin d'un Danseur.

Georges Lepape’s “Simultaneous” Vogue Cover, "Simultaneous" dress designed by artist Sonia Delaunay. Vogue magazine from Late January 1925, featuring a work by French illustrator Georges Lepape. The illustration depicts a woman in a geometric, colorful outfit standing next to a car with a similar pattern. The dress is a "Simultaneous" dress designed by artist Sonia Delaunay.

Jim Morrison in Ukrainian embroideryThis photograph shows musician Jim Morrison, the lead singer of the rock band The Doors, in 1966. The photo was taken by Guy Webster. The shirt he is wearing is a traditional Ukrainian embroidered shirt known as a vyshyvanka. According to some accounts, the shirt may have been a gift from artist Andy Warhol, who was of Ukrainian descent.

This is a VHS video tape of the band New Order's live performance, titled Taras Shevchenko.The performance was recorded live at the Ukrainian National Home in New York City on November 18, 1981. The cover art features an image of Ukrainian poet and artist Taras Shevchenko. The item is a cult classic and can be found on auction sites like eBay. The tape is sold as-is due to its age, and its functionality may not be guaranteed.

Anna Sten in Nana (1934), dark room

Studio Portrait of Sofia Yablonska

Studio Portrait of Sofia Yablonska