Oleksandras Bohomazovas. „Peizažas. Geležinkelio sankasos šlaitas“. 1913‒1915
Olexander Bohomazov. "Female Portrait". 1915
Olexander Bohomazov. "Lake Saimaa". 1911
Ukrainian Pavilion at the 1933 World's Fair in Chicago.
Parishioners arrived, to protest the changes made to the church calendar in ChicagoBishop Jaroslav Gabro, of the Ukrainian rite of the Roman Catholic Church, was absent from his Oak Park home when parishioners arrived on Jan. 20, 1968, to protest the changes made to the church calendar.
People of Ukrainian descent march at Western and Rice avenues on Oct. 13, 1963, in remembrance of the 30th anniversary of the Holodomor, a famine in Soviet Ukraine that killed millions of Ukrainians.People of Ukrainian descent march at Western and Rice avenues on Oct. 13, 1963, in remembrance of the 30th anniversary of the Holodomor, a famine in Soviet Ukraine that killed millions of Ukrainians.
Some of the 5,000 Chicagoans of Ukrainian ancestry listen to speakers on Oct. 16, 1938, at a mass meeting to protest the treatment of their nationality. The meeting was held in the St. Nicholas church field at Rice and Leavitt streets after a mass commemorating the movement for an independent Ukraine state.
Ukrainians in traditional dress in Chicago in 1977.
A Ukrainian dance team from Detroit, Michigan performed at Riverview Park for the tenth anniversary of the Ukrainian Youth Association on Aug. 2, 1956, in Chicago.
Ukrainian archaeologist Borys Mozolevski with the Scythian Golden Pectoral, which he discovered in 1971.The Golden Pectoral is a solid gold neckpiece from the 4th century BC.
It was found in the Tovsta Mohyla, an ancient Scythian burial mound in southern Ukraine.
The artifact is considered one of the most significant archaeological finds of the 20th century.
Mozolevski's discovery is a rare example of artistry and influential discovery.
Bleaching canvas near a pond. 1920s. Southern Chernihiv region. P. 35.
Photo of the main facade of the National Museum of Arts of Ukraine. Early 20th century.
Ukrainers Ambitions. New York Times article 1917“UKRAINERS’ AMBITIONS.”
Special Cable to THE NEW YORK TIMES.
May 27, 1917.
“THE HAGUE, May 26.—The Vossische Zeitung of Berlin says: ‘The congress of Ukrainers at Kieff has especial importance owing to the assurance of Ambassador Gerard to the representative of the newspaper L’Ukraine that America will assist the efforts of the 40,000,000 Ukrainers to achieve autonomy.’
Zino Davidoff, a renowned Ukrainian-Swiss tobacconist and the founder of the Davidoff luxury brandThe photograph shows him standing in front of his cigar shop in Geneva, Switzerland.
Zino Davidoff's father, Henri Davidoff, a tobacco merchant, opened a tobacco shop in Geneva in 1911 after the family fled Ukraine. Zino later took over the business and was instrumental in its growth. He is credited with several innovations in the cigar industry, including the invention of the desktop humidor. During World War II, he famously acquired the cigar stock from Paris to protect it from the invading forces, which cemented his reputation as a key figure in the European tobacco trade. The Davidoff brand, now owned by Oettinger Davidoff AG, has expanded beyond cigars to include a range of luxury products such as fragrances, leather goods, and accessories.
Postcard from Lesya Ukrainka to her brother Mykola and sisters Oksana and IsidoraI'm already leaving for Switzerland. I'll write tomorrow or the day after. My plans are all the same as in the letter to my father. I feel well, otherwise I wouldn't have gone. Write to me poste restante, because it's boring without news from you. I kiss everyone. I don't write to Lily and mother, because I don't know where they are.
Lesya
Lili did write, but mother doesn't like postcards, and there's no way to write a letter now.
I really ask my father to come to terms with Kobylyanska's essays. Were they accepted by the "K[iev] Star[aryna]"? The author asks, but I don't know.
Пантелеймон Куліш у шапціPanteleimon Kulish (1819–1897) was a key figure in the Ukrainian cultural revival. He authored the first Ukrainian historical novel, The Black Council (1857), and worked as a publisher and editor (including the journal Osnova), as well as an ethnographer and historian. He developed the phonetic Ukrainian orthography known as “Kulishivka,” translated Shakespeare and worked on a translation of the Bible, helping to establish standards for the literary Ukrainian language. He moved in the circle of Taras Shevchenko, was married to the writer Hanna Barvinok (Oleksandra Bilozerska), and was connected to the intellectual milieu of the Cyril and Methodius Brotherhood. He hailed from the then Chernihiv Governorate (now Sumy Oblast).
Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.
Band New Order performing live in New York in 1981 at the Ukrainian National HomeA New Beginning: This performance was part of New Order’s first U.S. tour, staged a little over a year after Joy Division singer Ian Curtis’s death. It marked a crucial step in the band’s transition and the beginning of their effort to define an identity separate from their previous group. Musical Evolution: On this tour, New Order moved beyond Joy Division’s post‑punk austerity, embracing synthesizers and propulsive rhythms. In New York they unveiled an early, unreleased ten‑minute version of Temptation, drawing rave reviews and cementing their reputation at the forefront of post‑punk. Video Recording: The show—performed in 1981 in New York City—was filmed by Michael Shamberg and later released on VHS as Taras Shevchenko, capturing the band in a raw, transitional phase and becoming a vital document of their early career. The Ukrainian National Home’s name—and the portrait of poet Taras Shevchenko hanging behind the stage—were prominently displayed, underscoring the venue’s cultural co
Tatar Children's School
Snake Island by Carlo Bossoli.The painting depicts a stormy sea with a ship, possibly HMS Victory, and a smaller vessel near an island.
The island, historically known as the "Island of Achilles," is located in the Black Sea.
The painting is a public domain work of art.
General View of SevastopolCarlo Bossoli was an Italian-Swiss artist known for his detailed landscapes and battle scenes.
The work depicts the city and harbor of Sevastopol, a strategic Black Sea port.
Bossoli created a series of lithographs based on his travels through Crimea in the 1840s.
The image captures Sevastopol shortly after the Crimean War, which concluded in 1856, and shows the destruction from the siege that lasted from October 1854 to September 1855.
Bakhchysarai, the former capital of the Crimean KhanateThe painting depicts the Bakhchysarai Palace (also known as Khan's Palace or Hansaray), a 16th-century architectural complex that served as the residence of a succession of Crimean Khans. Built in 1532 by Sahib I Giray, it is considered the only preserved example of Crimean Tatar palace architecture in the world.
The palace complex was built with a blend of Ottoman, Persian, and Italian architectural styles. It originally included a mosque, a harem, a cemetery, living quarters, and gardens. The palace's famous "Fountain of Tears" was the subject of a narrative poem by Russian writer Alexander Pushkin.
A Tartar House in the Village of AlupkaThe Crimean Tatar people have a rich cultural history, with their architecture showing influences from Islamic and Turkic motifs. The most prominent example is the Bakhchysarai Palace, the former capital of the Crimean Khanate. This palace, which served as a political and cultural center, is the world's only preserved example of Crimean Tatar palace architecture.
After the so called "russian federation" annexation of Crimea and the subsequent deportations in 1944, much of the Crimean Tatar cultural heritage was destroyed. However, artists and activists have been working to revive and preserve Crimean Tatar arts and traditions.
The interior of the "Tomb of Mithridates, near the Lazaretto of Kerch" renamed as "Royal Kurgan" by you know who, a monumental burial mound located in Kerch, CrimeaThe engraving is titled "Tomb of Mithridates, near the Lazaretto of Kerch", reflecting the historical and archaeological context of the time it was created. It's a lithograph, a type of printmaking, rather than a painting.
Kerch, seen from the high road to Eni-KaleA view of the city of Kerch, a port city in Crimea, seen from a high road that leads to the Yenikale Fortress. In the image, there are ships in the harbor, a city with buildings at the foot of a mountain, and people and horse-drawn carriages on the road in the foreground. The artwork is a color lithograph and is part of an album called "Views of Crimea
Kerch Bay from Mount MithridatesThe painting depicts a panoramic view of the Gulf of Kerch and the city of Kerch, located on the Crimean Peninsula, as seen from the top of Mount Mithridates. The scene includes the city with its harbor and ships, a church-like structure on a hillside, and a few figures with sheep in the foreground.
View of Karasubazar ( Bilohirsk )The work depicts a scenic view of the city of Karasubazar (now Bilohirsk) in the Caucasus region, with a focus on the bustling activity and vibrant culture of the area in the 19th century. The city was an important center of the Crimean Khanate. The painting captures a general view of the city, showing its buildings and the surrounding landscape with hills and mountains.
The Castle of the Forty DragonsGeneral View of Balaclava, from the Genoese Forts
Women and girls, possibly dressed to celebrate a wedding, in Ukraine's Pavlohrad Region in 1909
A village scene from Ukraine's Volyn region in 1909
A wedding ceremony is immortalized in a print found in Fedir Vovk's personal archive.
Village houses in Ukraine in the late 1800s or early 1900s
Ukrainian peasants in the Kyiv region in the late 1800s or early 1900s
Tartars Travelling on the PlainsA caravan of Crimean Tatars traveling across a plain, possibly in the region of Crimea. The caravan includes both a horse-drawn carriage and camels, along with people on horseback.