Ukrainians Worldwide

Anna Sten was born in Kyiv, where she received her theatrical education and began her acting career on stage and in film. She worked as a reporter, performed at the Kyiv Maly Theater, and studied at the Theater College. Her early roles in Soviet cinema, notably in “The Girl with a Hatbox” (1927), brought her popularity in the USSR and Europe. She was considered the embodiment of the “new Soviet woman” and became one of the first Ukrainian actresses to gain international recognition.

In the early 1930s, Anna Sten moved to Berlin and starred in films produced by the leading German studio UFA. Her roles in “The Murderer Dimitri Karamazov” (1931), “Salto Mortale,” and “Bomben auf Monte Carlo” earned her acclaim among the European film elite. Success in Germany paved her way to Hollywood, although she faced criticism in the USSR for collaborating with Western studios.

In 1932, Anna Sten was invited to Hollywood by producer Samuel Goldwyn, who aimed to make her “the next Greta Garbo.” She played leading roles in “Nana” (1934), “We Live Again” (1934), and “The Wedding Night” (1935). Despite a major publicity campaign, the films did not achieve the expected success, and Goldwyn ended her contract. Sten continued acting in films and television, later teaching at the Actors Studio and pursuing painting in the United States.

Nudie Cohn, a Ukrainian-American tailor and designer, revolutionized American fashion by introducing extravagant, rhinestone-studded suits known as "Nudie Suits." His work became synonymous with the flamboyant style of country music and the golden era of Hollywood. Cohn’s most notable achievement was creating iconic designs for country legends like Hank Williams, Porter Wagoner, and Roy Rogers, as well as pop and rock stars like Elvis Presley, Elton John, and John Lennon. His creative genius extended beyond clothing to custom-designed cars, famously encrusted with silver dollars and pistols, which were just as show-stopping as his suits. Through his work, Nudie Cohn not only shaped a visual identity for the American entertainment industry but also immortalized his designs in the history of fashion.

Nudie Cohn was born Nuta Kotlyarenko on December 15, 1902, in Kyiv, Ukraine. Raised in a Jewish family, he experienced early hardship and the challenges of discrimination in his homeland. Seeking a better life, his family immigrated to the United States when he was just 11 years old. The journey marked the beginning of a remarkable transformation, from a boy escaping oppression to a cultural icon in America. In New York, Cohn apprenticed as a tailor, learning the craft that would later define his legacy. His unique style was inspired by his immigrant background and the vibrant cultures he encountered in America, blending traditional tailoring techniques with flamboyant designs. Nudie’s roots in Kyiv were a key influence, with the ornate patterns and rich textures of Eastern European culture subtly reflected in his work. Though his career blossomed in the U.S., Nudie Cohn often spoke with pride about his Ukrainian heritage, crediting his early experiences with giving him the resilience and creativity to succeed. His story is one of transformation, embodying the journey of many Ukrainian immigrants who have left an indelible mark on global culture.

Stoyanov was one of the active members of the Kyiv community, an organization that aimed to popularize Ukrainian culture and education. Together with Pavlo Chubynsky, he taught at the Kyiv Sunday school in Ukrainian, contributing to the spread of knowledge among the people. His works included translations into Ukrainian, in particular, fables by L. Hlibov, as well as writing one of the first reviews of Taras Shevchenko's "Bukvar Yuzhnorussky". Stoyanov initiated a large-scale project to collect folk art, actively collected and analyzed Ukrainian folk songs. His activities contributed to the establishment of the Ukrainian language and culture, in particular through active protection of their rights in the press and public speeches. He left a significant legacy in the development of Ukrainian ethnography and cultural identity.

After being forced to relocate to the Caucasus due to pressure from the Russian authorities, Alexander Ilyich Stoyanov began a significant period of his activity in Georgia, where he left a deep mark on the ethnography, archaeology and cultural life of the region. From 1866 he worked as a teacher, inspector and director of gymnasiums in Stavropol, Pyatigorsk, Tiflis, Kutaisi and Batumi. As the director of the Kutaisi Gymnasium, Stoyanov became the first foreigner to openly speak out against the Russification policy of the Russian Empire in the Caucasus. He actively defended the right of the Georgian people to their native language, even addressing a letter of protest to the administration of the Caucasian Educational District. Using his experience in the Kyiv community, Stoyanov involved students in ethnographic research, supported the publication of a magazine in the Georgian language and initiated local history expeditions. Stoyanov made a significant contribution to the preservation of Georgian cultural heritage. He took care of historical monuments, conducted archaeological excavations, including in the cult city of Vani, and participated in the creation of the Kutaisi Historical Museum. His research on Georgian culture became important sources for scholars and was included in key works on the history of Georgia. This activity not only strengthened Georgian identity, but also emphasized the importance of cultural dialogue between peoples.

Maria Bashkirtseff, a Ukrainian artist, made a significant impact on French culture with her realist paintings and diaries. Works like "The Meeting" and "In the Studio" were exhibited at the Paris Salon, contributing to the development of realism in France. In 1885, she became the first woman to have her works displayed in the Louvre posthumously. Although many of her paintings were lost during the October Revolution and World War II, about 20 are preserved in French museums. Her legacy lives on through a sculpture in Luxembourg, a street in Nice, and an art prize in her name. In Ukraine, her memory is honored with a street, a school, and an annual art festival in her native village.

Ksenia Desni (born Ksenia Alekseeva) was a renowned Ukrainian silent film actress whose charisma and talent gained international recognition during the 1920s and early 1930s. Born in Kyiv in 1894, she had a strong interest in the arts from a young age. After emigrating to Germany, Desni managed to break into the European film scene, becoming a star of German cinema. Her acting was characterized by an extraordinary sensitivity and elegance, which captivated European audiences. She portrayed women with profound inner worlds, exuding strength and grace.

In Germany, her career skyrocketed through collaborations with leading directors of the time, including Ernst Lubitsch. This partnership significantly elevated her acting prowess, and one of her most notable performances was in the film "Anatol," where she demonstrated an impressive ability to transform. In Germany, Desni became a symbol of a new generation of actresses, who not only captivated with their beauty but also embodied the complexity and multifaceted nature of female characters on screen. Her performances were marked by a delicate control of emotion, which was crucial in the silent film era.

In France, Ksenia Desni continued her career, working on films that combined European romance and drama. French audiences were captivated by her ability to create an atmosphere of mystery and deep emotional turmoil. She gained particular acclaim for her work in the film Underworld (1927), which opened new horizons in her career. In this film, she showcased her ability to convey the heroine's internal struggle using only facial expressions and body movements. Her characters often embodied tragic heroines who found inner strength in moments of profound despair.

In the United States, Desni did not achieve the same level of career success as in Europe, but she still left her mark in several major cinematic projects. Her charm and exotic appearance caught the attention of Hollywood directors, but she remained more celebrated in European cinema. She continued to portray strong, multi-layered characters that reflected the complexity of the female experience, even within the constraints of silent film.

Micler was born and educated in Ireland, where his deep understanding of the local environment and cultural heritage shaped his design style. He developed numerous gardens and parks, particularly projects that reflect Irish traditions and landscape features. His ability to harmoniously blend wild natural elements with structured design solutions made his work ideal for both historical and contemporary sites. Micrel also contributed to the development of landscape design as a profession in Ireland, supporting young designers and organizing exhibitions.

Irish landscape designer who arrived in Ukraine in 1792 and laid out around 50 parks. His contribution to Ukrainian landscape design became an integral part of the country's cultural heritage. In Dubno, he created the first English-style park in modern Ukraine, blending European landscape traditions with local conditions. In Mizocha, he planned a park around a palace, created artificial lakes and mounds, and formed close friendships with the local elite. His largest project was the Kremenets Botanical Garden, renowned for its collection of 12,000 plant species, gaining fame across Europe.

Anne was born in Rus into the family of Grand Prince Yaroslav the Wise, renowned for his enlightened rule. Raised in one of the most educated families of the time, she received an exceptional education, becoming fluent in several languages and well-versed in Greek and Latin literature. This education made her one of the most learned women in Europe during that period. Her marriage to King Henry I of France solidified a political alliance between Kyivan Rus and France, which helped to strengthen Kyiv's international reputation.

Anne became Queen of France in 1051 when she married Henry I. Her influence on the French court was profound: she introduced a higher level of culture, education, and statecraft, inherited from her father. Anne played an active role in state affairs and left a mark on French history by serving as regent after her husband's death, assisting her son, Philip I, in governing the kingdom. She also signed official documents, which was rare for a woman of her time, using her Cyrillic signature "Anna Rъina" — a unique testament to her Ukrainian heritage.