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    Sonia Delaunay1922 - 1923 yy.

    From the collection of sketches by Sonia Delaunay 3

    Author:Sonia DelaunayOriginal: All rights reserved
    Model in a men's robe
    Model in a men's robe
    Models in costumes by Sonia Delaunay
    Models in costumes by Sonia Delaunay
    Sonya Delaunay's Art Car "Vintage Scarf 1918"
    Sonya Delaunay's Art Car "Vintage Scarf 1918"
    Sonia Delaunay in a suit
    Sonia Delaunay in a suit
    Simultaneous
    Simultaneous
    Hand-coloring of a photograph by Sonia Delaunay
    Hand-coloring of a photograph by Sonia Delaunay
    Cape, design by Sonia Delaunay
    Cape, design by Sonia Delaunay
    Two models in coats
    Two models in coats
    72398936 2251550474974336 8085150079293325312 N
    72398936 2251550474974336 8085150079293325312 N
    72554806 2251550534974330 641645342105796608 N
    72554806 2251550534974330 641645342105796608 N
    73227111 2251550398307677 5304977079547199488 N
    73227111 2251550398307677 5304977079547199488 N
    74186882 2251550614974322 945201097872506880 N
    74186882 2251550614974322 945201097872506880 N
    Sonia Delaunay
    Sonia Delaunay
    The cape was created by Sonia Delaunay
    The cape was created by Sonia Delaunay
    Simultaneity
    Simultaneity
    Sonia Delaunay in a patterned dress
    Sonia Delaunay in a patterned dress
    Delaunay Simultanist Citroen
    Delaunay Simultanist Citroen
    Living Echo of the Cossack Elite: Georgiy Narbut in Paraska Apostol’s Kontusz with Kelep and Colonel Miloradovych
    Living Echo of the Cossack Elite: Georgiy Narbut in Paraska Apostol’s Kontusz with Kelep and Colonel MiloradovychIn the photograph, Georgiy Narbut stands in the Cossack hall of the Tarnovsky Museum (now a room of the Chernihiv Regional Library for Youth), fully immersed in a historical Ukrainian image. He is dressed in the kontusz of Paraska Apostol, daughter of Hetman Danylo Apostol, holding a kelep in his right hand, while to his right stands Colonel Mykhailo “Cannon” Miloradovych. This staged yet documentary scene shows Narbut not just studying Cossack-era artifacts, but literally wearing them, turning himself into a living embodiment of the Ukrainian noble-Cossack past.
    From a collection of sketches by Sonia Delaunay 16
    From a collection of sketches by Sonia Delaunay 16
    From a collection of sketches by Sonia Delaunay 15
    From a collection of sketches by Sonia Delaunay 15
    From a collection of sketches by Sonia Delaunay 15
    From a collection of sketches by Sonia Delaunay 15
    From a collection of sketches by Sonia Delaunay 14
    From a collection of sketches by Sonia Delaunay 14
    From a collection of sketches by Sonia Delaunay 13
    From a collection of sketches by Sonia Delaunay 13
    From a collection of sketches by Sonia Delaunay 12
    From a collection of sketches by Sonia Delaunay 12
    From a collection of sketches by Sonia Delaunay 11
    From a collection of sketches by Sonia Delaunay 11
    From a collection of sketches by Sonia Delaunay 10
    From a collection of sketches by Sonia Delaunay 10
    From a collection of sketches by Sonia Delaunay 9
    From a collection of sketches by Sonia Delaunay 9
    From a collection of sketches by Sonia Delaunay 9
    From a collection of sketches by Sonia Delaunay 9
    From a collection of sketches by Sonia Delaunay 8
    From a collection of sketches by Sonia Delaunay 8
    From a collection of sketches by Sonia Delaunay 7
    From a collection of sketches by Sonia Delaunay 7
    From a collection of sketches by Sonia Delaunay 6
    From a collection of sketches by Sonia Delaunay 6
    From a collection of sketches by Sonia Delaunay 5
    From a collection of sketches by Sonia Delaunay 5
    From a collection of sketches by Sonia Delaunay 4
    From a collection of sketches by Sonia Delaunay 4
    From the collection of sketches by Sonia Delaunay 2
    From the collection of sketches by Sonia Delaunay 2
    From a collection of sketches by Sonia Delaunay
    From a collection of sketches by Sonia Delaunay
    Sonia Delaunay, her paintings, her objects, her contemporary napkins, her fashion, 20 stencil plates, Paris, 1925. Sold for $13,750, a record for this work.
    Sonia Delaunay, her paintings, her objects, her contemporary napkins, her fashion, 20 stencil plates, Paris, 1925. Sold for $13,750, a record for this work.
    Portrait of a Lady
    Portrait of a Lady
    Studies of female figures
    Studies of female figuresMarie Bashkirtseff, Studies of female figures, 1860-1884, graphite, © The Trustees of the British Museum
    Self-portrait with Palette
    Self-portrait with PaletteMaria Bashkyrtseva, "Self-portrait with Palette", 1883, oil on canvas, 192 x 73 cm, Museum of Fine Arts of Nice, © Collection of Fine Arts / Alamy Stock Photo
    The Sorrow of Nausica
    The Sorrow of NausicaMarie Bashkirtseff, "The Sorrow of Nausica", bronze sculpture, 83 x 23.7 x 23 cm, Musée d'Orsay, © Photo: RMN-Grand Palais (Musée d'Orsay) / Hervé Lewandowski