Prada photoshoot in Ukrainian institute in New York

Village houses in Ukraine in the late 1800s or early 1900s

Two models in Sonia Delaunay's boulevard Malesherbes studioThe photograph depicts two models wearing designs by artist and designer Sonia Delaunay. The outfits are described as beachwear, swimwear, or clothing with geometric patterns. One model holds an umbrella, also designed by Delaunay. The designs are part of the "Simultaneous" line, which reflects Delaunay's artistic theory of using bold, contrasting colors and geometric shapes to create movement and harmony. The clothing was created to suit the real lives of women, allowing for freedom of movement.

Georges Lepape’s “Simultaneous” Vogue Cover, "Simultaneous" dress designed by artist Sonia Delaunay. Vogue magazine from Late January 1925, featuring a work by French illustrator Georges Lepape. The illustration depicts a woman in a geometric, colorful outfit standing next to a car with a similar pattern. The dress is a "Simultaneous" dress designed by artist Sonia Delaunay.

Сoncrete relief on the stairs in the interior of the "Dnipro" sanatorium (now known as Druzhba) in Yevpatoria, Crimea. The artwork was created by Ukrainian artist Ernest Kotkov in the early 1980s.

Carl & Pearl Butler in Nudie Cohn, rodeo tailor from Ukraine costumes

Collection of things created by Nudie Cohn

Billy Walker in the Nudie Cohn costume

The Ukrainian Refugee Who Shaped American Style

Ukrainian Refugee American Style

Elton John's "Nudie Suit"he suit was designed by Nudie Cohn, an American tailor who created custom rhinestone-studded outfits for many celebrities in the 1970s. This particular suit, with its ornate embroidery and a cowboy hat featuring stars, is one of his most well-known outfits from the era. The singer's flamboyant style and elaborate stage costumes became a defining part of his public image.

Pioneer of modern architecture in Brazil from Ukraine - Gregory WarchavchikGregori Warchavchik (1896-1972) was a Ukrainian-Brazilian architect who is considered a pioneer of modern architecture in Brazil. This black-and-white photograph shows him looking through a tiny camera on a tripod. In the 1920s and 1930s, Warchavchik was a prominent figure in the Brazilian modernist movement.

Edifício Barão de Limeira, designed by the Ukrainian-Brazilian architect Gregori Warchavchik in 1939The building is also known as Edifício Mina Klabin, named after Warchavchik's wife, Mina Klabin. Located in São Paulo, Brazil, the building is an example of Brazilian modernist architecture, which gained international recognition for its unique blend of European ideas with the local climate and a strong focus on innovative use of concrete. Warchavchik is considered a pioneer of modern architecture in Brazil, with his other notable works including the Casa da Rua Santa Cruz, considered the country's first modernist residence.

Szewczenko School (Shevchenko School). Vita. Canada. 1921. Oseredok

Anna StenUkrainian-born Hollywood actress Anna Sten (1908 – 1993) rose from Kyiv’s theatre scene and early Soviet silents to German talkies before Samuel Goldwyn brought her to the United States, promoting her as “the next Greta Garbo.” Notable films include Nana (1934), We Live Again (1934) and The Wedding Night (1935). Her cosmopolitan career and star-making myth embody the transnational currents of 1930s cinema.

Sonia Delaunay wearing Casa Sonia creations, Madrid, c.1920

Views of Odessa. [Album]. Boulevard. Mid-1850s.

Views of Odessa. [Album]. View of the Pokrovsk Church and Aleksandrovsky Avenue. Mid-1850s.

Odesa. View taken from the small pier. 1850s.D’ap. nat. et lith. par F.Gross. Lith. de A. Braun à Odessa.

Odesa. Quarantine. Mid-1850s.

Views of Odessa. [Album]. Preobrazhenskaya Square during a storm. Mid-1850s.

The competitive project presented by the Museum of Antiquities and Arts. The main facade.

Verkhovyna 1

Verkhovyna 12

Verkhovyna 11

Gazda from Verkhovyna

Nudie Cohn in his store with "Nudie and his Mandolin" vinyl

Nudie Cohn on cover of Rolling Stone

Nudie Cohn and Elvis PresleyNudie Cohn designed Elvis' famous gold suit featured on the album cover of "50,000,000 Elvis Fans Can't Be Wrong."

Nudie Cohn and Roy Rogers

Nudie Cohn and Gram Parsons in his Flying Burrito Brothers Nudie suitAs the 1960's were winding down, Nudie Cohn's career took on a new dimension when he made a suit for Gram Parsons. An article by Elyssa East in the Oxford American magazine provides some details about the creation of Nudie's most renowned suit: “The 1960s were coming to a close when rising country rock musician Gram Parsons posed next to Nudie Cohn, the celebrated Western-wear designer more than three times his senior. Raeanne Rubenstein shot their portrait for Show: The Magazine of the Arts at Nudie’s Los Angeles workshop. Over a smooth bare chest and midriff, the twenty-something Parsons wore the suit Nudie designed for him for the cover of the Flying Burrito Brothers’ debut album, The Gilded Palace of Sin. Made of white cavalry twill, it was embroidered with crudely ren

Villa Bashkirtseff in NiceFrom 1871 to 1877, the Bashkirtseff family villa in Nice served as a setting for Marie’s early ambitions. Here, surrounded by the social life she adored, Marie immersed herself in private studies, driven by her vision of fame. Today, Nice commemorates her with a dedicated street and a permanent display of her work in the Musée des Beaux-Arts.

A watering hole under a bridge in a city in Yunnan province by Sofia Yablonska

Castle of Tadeusz Hrabianka on Podilla, drawing from nature by Napoleon Leda

Portrait of Helena Chołoniewska, née Dunin-Borkowska in riding dress

Kremenchuk bridge

Krushelnytska in a hat with feathers

Solomiya Krushelnytska in Madame Butterfly costume

Figures in an InteriorFigures in an Interior is a work by the Ukrainian and French artist Sonia Delaunay. The artist, with her husband Robert Delaunay, was a co-founder of the Orphism art movement, which is characterized by its use of strong, vibrant colors and geometric shapes to create a sense of rhythm and movement. Sonia Delaunay's work often blurred the lines between fine art and decorative arts, and she applied her artistic principles to various media, including paintings, textile designs, and interior decoration. The painting shown is a great example of her style, with two abstracted figures in a dynamically colored and patterned room. The search results include mentions of a similar work, "Figures in an Interior, colour screenprint" by Sonia Delaunay, and other Delaunay paintings with figures in interiors.

Cultural center of the continent in 19 century was KyivAt the end of the 19th century, Kyiv could be considered the cultural center of the continent, where Eastern and Western civilizations met.

Odesa. Boulevard. Monument to Duke Richelieu. Late 1870s.