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    Dzyga Vertov

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    Anna Sten in Nana (1934), dark room
    Anna Sten in Nana (1934), dark room
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    Anna Sten in Nana (1934)
    Anna Sten in Nana (1934)
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    Anna Sten
    Anna StenUkrainian-born Hollywood actress Anna Sten (1908 – 1993) rose from Kyiv’s theatre scene and early Soviet silents to German talkies before Samuel Goldwyn brought her to the United States, promoting her as “the next Greta Garbo.” Notable films include Nana (1934), We Live Again (1934) and The Wedding Night (1935). Her cosmopolitan career and star-making myth embody the transnational currents of 1930s cinema.
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    Ksenia Desni, a scene from the film
    Ksenia Desni, a scene from the film
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    Ksenia Desny in white dress
    Ksenia Desny in white dress
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    Xenia Desni portrait
    Xenia Desni portrait
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    Xenia Desni A, Eberth, Berlin
    Xenia Desni A, Eberth, Berlin
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    5s
    Ksenia Desni "Ross", Berlin
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    Portrait of Vira Kholodna
    Portrait of Vira Kholodna
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    Vira Kholodna
    Vira Kholodna
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    Sofia Yablonska with a camera
    Sofia Yablonska with a camera
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    Irena Bohdanova in a dress
    Irena Bohdanova in a dress
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    Natalie Wood on the phone
    Natalie Wood on the phone
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    Natali Wood
    Natali Wood
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    Maya Deren with a cat
    Maya Deren with a cat
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    Maya Deren in Kyiv as a child with her mother, 1918
    Maya Deren in Kyiv as a child with her mother, 1918
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    A still from “Ritual in Transfigured Time,” with Rita Christiani, Anaïs Nin, and Deren in the foregr
    A still from “Ritual in Transfigured Time,” with Rita Christiani, Anaïs Nin, and Deren in the foregr
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    Unknown photograph of Maya Deren
    Unknown photograph of Maya Deren
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    Maya Deren in the scene of the movie "Meshes of the afternoon"
    Maya Deren in the scene of the movie "Meshes of the afternoon"
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    Maya Deren in mirror
    Maya Deren in mirror
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    She anticipated American underground cinema
    She anticipated American underground cinemaThe artistic style of Eleonora Maya Deren anticipated American underground cinema. In 1943, she made one of the most influential experimental films in American cinema, Meshes of the Afternoon, in collaboration with cinematographer Alexander Hammid.
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    Soul of Ukrainian cinema Ivan Mykolajchuk
    Soul of Ukrainian cinema Ivan MykolajchukPlayed 34 roles in movies, wrote 9 scripts and has two directorial works. In the Ukrainian SSR, communist party marked him as "untrustworthy", but nation called him "the soul of Ukrainian cinema".