Anna Sten in Nana (1934), dark room
Anna StenUkrainian-born Hollywood actress Anna Sten (1908 – 1993) rose from Kyiv’s theatre scene and early Soviet silents to German talkies before Samuel Goldwyn brought her to the United States, promoting her as “the next Greta Garbo.” Notable films include Nana (1934), We Live Again (1934) and The Wedding Night (1935). Her cosmopolitan career and star-making myth embody the transnational currents of 1930s cinema.
Ksenia Desni, a scene from the film
Ksenia Desny in white dress
Xenia Desni A, Eberth, Berlin
Ksenia Desni "Ross", Berlin
Portrait of Vira Kholodna
Sofia Yablonska with a camera
Irena Bohdanova in a dress
Natalie Wood on the phone
Maya Deren in Kyiv as a child with her mother, 1918
A still from “Ritual in Transfigured Time,” with Rita Christiani, Anaïs Nin, and Deren in the foregr
Unknown photograph of Maya Deren
Maya Deren in the scene of the movie "Meshes of the afternoon"
She anticipated American underground cinemaThe artistic style of Eleonora Maya Deren anticipated American underground cinema. In 1943, she made one of the most influential experimental films in American cinema, Meshes of the Afternoon, in collaboration with cinematographer Alexander Hammid.
Soul of Ukrainian cinema Ivan MykolajchukPlayed 34 roles in movies, wrote 9 scripts and has two directorial works. In the Ukrainian SSR, communist party marked him as "untrustworthy", but nation called him "the soul of Ukrainian cinema".