Author:Sofia YablonskaOriginal: All rights reservedRestoration: All rights reserved
Hands of Alexander Brailowsky
Ivan Dotsenko - pilot-Indian chief
Classical Architecture: Modernist House on Rua Bahia
The first printing press in Prudentopolis
Father Athanasius. The grand opening of the new printing house in 1938.
Father Athanasius, 1st Ukrainian Church
Ostapiv Veselka Kom Ephraim Krevey
Church with carriages
Seminary of Mercia Guimaraes
Sister of Josaphat I. Raphael
Sister Josaphat College is expanding
Church of St. Basil the Blessed in Prudentopolis
Church of Hope Ternoski
Wedding of Anair Lopez
Father Athanasius' Immigrants
Father Atanasio's Immigrant Barracks 1896
Marcelo Escolinha Immigrants
Father Atanasio's Immigrant Barracks
Brazilian Ukrainian Immigrants in senador Correa Machado
Tumblr NzhwjehkAI1twhq1io2 1280
Tumblr NzhwjehkAI1twhq1io7 1280
Tumblr NzhwjehkAI1twhq1io6 1280
Tumblr NzhwjehkAI1twhq1io5 1280
Tumblr NzhwjehkAI1twhq1io4 1280
Tumblr NzhwjehkAI1twhq1io1 640
Tumblr NzhwjehkAI1twhq1io9 1280
fragment of "Musical Grammar" by M. Dyletsky.A native of Kyiv, Mykola Dyletsky is called the creator of the Western school of partes music, which gave the world a number of outstanding composers.
He wrote the theoretical work “Musical Grammar” — a monument of the Ukrainian Baroque — which was published exactly 350 years ago in Vilna (now Vilnius). In it, Dyletsky explained in detail the technical features of partes singing and composition.
And what is important! In this work, he was the first in the world to describe the circle of fifths — as a graphic diagram by which a musician can trace the harmonic connections between all major and minor keys of 12 notes. For composers, this work made it easier to write music.
This is really worth paying attention to… The work “The Resurrection Canon” by Mykola Dyletsky. Please listen.
David Burliuk and Vaclav Fiala. Climbing Mount Fuji.
Florida
Japanese Woman Planting Rice
Sonia Delaunay in Simultaneous dress
Block 37 Proposal, Chicago, Illinois, PerspectiveBlock 37, the parcel of land in the heart of Chicago’s Loop bordered by State, Randolph, Dearborn, and Washington Streets has stood idle for years in spite of numerous ideas for the construction of new buildings. The redevelopment of the block was originally conceived by Mayor Richard J. Daley in the 1970s to transform the site of old, inferior, low-rise buildings into new and larger buildings with more intensive uses in keeping with the downtown area. The site has been the object of several unsuccessful attempts at development over the years. Architect Helmut Jahn, working for the joint venture development company FJV, prepared several schemes for the site between 1983 and 1987. All of these plans envisioned a giant atrium that would permit continuous movement of pedestrians throughout the block. The developers’ failure to secure a anchor tenant for the development—along with delays by the City and the worsening economic situation—cast doom on the project.
Oleksandr Bogomazov
Ukrainian Pavilion at the 1933 World's Fair in Chicago.
Parishioners arrived, to protest the changes made to the church calendar in ChicagoBishop Jaroslav Gabro, of the Ukrainian rite of the Roman Catholic Church, was absent from his Oak Park home when parishioners arrived on Jan. 20, 1968, to protest the changes made to the church calendar.
People of Ukrainian descent march at Western and Rice avenues on Oct. 13, 1963, in remembrance of the 30th anniversary of the Holodomor, a famine in Soviet Ukraine that killed millions of Ukrainians.People of Ukrainian descent march at Western and Rice avenues on Oct. 13, 1963, in remembrance of the 30th anniversary of the Holodomor, a famine in Soviet Ukraine that killed millions of Ukrainians.
The anti-Soviet protest of Ukrainians in ChicagoRuslana Zavadovych, 8, displays a sign citing infamous incidents in Ukrainian history, including the Chernobyl nuclear plant disaster and Holodomor, at a Daley Plaza rally on June 9, 1986. The anti-Soviet protest was sponsored by the Ukrainian Congress Committee.
Zino Davidoff, a renowned Ukrainian-Swiss tobacconist and the founder of the Davidoff luxury brandThe photograph shows him standing in front of his cigar shop in Geneva, Switzerland.
Zino Davidoff's father, Henri Davidoff, a tobacco merchant, opened a tobacco shop in Geneva in 1911 after the family fled Ukraine. Zino later took over the business and was instrumental in its growth. He is credited with several innovations in the cigar industry, including the invention of the desktop humidor. During World War II, he famously acquired the cigar stock from Paris to protect it from the invading forces, which cemented his reputation as a key figure in the European tobacco trade. The Davidoff brand, now owned by Oettinger Davidoff AG, has expanded beyond cigars to include a range of luxury products such as fragrances, leather goods, and accessories.
Portrait of the American sculptor Louise Nevelson, taken by the celebrated fashion and portrait photographer Richard Avedon. The image was captured in New York in 1975.
Band New Order performing live in New York in 1981 at the Ukrainian National HomeA New Beginning: This performance was part of New Order’s first U.S. tour, staged a little over a year after Joy Division singer Ian Curtis’s death. It marked a crucial step in the band’s transition and the beginning of their effort to define an identity separate from their previous group. Musical Evolution: On this tour, New Order moved beyond Joy Division’s post‑punk austerity, embracing synthesizers and propulsive rhythms. In New York they unveiled an early, unreleased ten‑minute version of Temptation, drawing rave reviews and cementing their reputation at the forefront of post‑punk. Video Recording: The show—performed in 1981 in New York City—was filmed by Michael Shamberg and later released on VHS as Taras Shevchenko, capturing the band in a raw, transitional phase and becoming a vital document of their early career. The Ukrainian National Home’s name—and the portrait of poet Taras Shevchenko hanging behind the stage—were prominently displayed, underscoring the venue’s cultural co
